The Asia Global Institute at the University of Hong Kong has launched AsiaGlobal Online, a new journal focusing on “policy-relevant insights on global issues and from Asian perspectives.”
There are various translations of the Life of Milarepa available, but since Garma C Chang issued his translation of the Hundred Thousand Songs in 1962, there has been a gap of more than fifty years, and Tibetan Buddhist scholarship has made a great deal of progress over that time, which makes 2017 an ideal year for a new translation of this work.
Arguably the most successful Western opera singer to come out of China, soprano He Hui is known for her roles in Madama Butterfly, Tosca and Aida.
Yasutaka Tsutsui, born in 1934, is less well-known outside of Japan than other contemporary Japanese writers.
Jude Woodward’s thesis in her latest book is quite simple: Washington is engaged in an orchestrated plot to contain the rise of China economically, militarily and ideologically.
This special exhibition at the Hong Kong Museum of History makes considerable use of audiovisuals, especially video, which have the dual advantage of not requiring insurance and holding the interest better than, say, incomplete pots which, however interesting, can also be somewhat dry.
Nicholas Gordon interviews Choo Waihong, author of The Kingdom of Women: Life, Love and Death in China’s Hidden Mountains.