There may come a time when Asian-American writing loses its hyphen and becomes “American”. Ranbir Singh Sidhu’s debut novel Deep Singh Blue provides some indication that this point may be approaching.
Vladimir K Arsenyev was an army officer, explorer and writer active in Russia’s Far East in the waning years of the Romanov dynasty. His major claim to fame, outside Russia at any rate, is having introduced the world to the aboriginal hunter and trapper Dersu Uzala, who several decades later became the subject of an Oscar-winning film by Akira Kurosawa.
Arsenyev undertook several expeditions in the mountainous region roughly between Vladivostok and the Chinese border in the first years of the twentieth-century, ostensibly to survey the region’s infrastructure. But Arsenyev’s extensive field journals became the basis of two books of what would now be called “travel literature”. Across the Ussuri Kray: Travels in the Sikhote-Alin Mountains was the first of these, published in Vladivostok in 1921 in the midst of the Russian Civil War, and is the account of of two separate expeditions in 1902 and 1906. This volume is available in a new translation by Jonathan C Slaght.
Singapore Love Stories is a collection of seventeen short stories, from Singaporean and Singapore-based writers. The anthology is edited by local author Verena Tay, who contributed “Ex”, while Australian expat author Raelee Chapman, who contributed “The Gardener”, is credited as “anthology coordinator and compiler.”
Ethnic Conflict and Protest in Tibet and Xinjiang: Unrest in China’s West is a collection of academic articles edited by Ben Hillman and Gray Tuttle. Although ethnically and historically quite dissimilar, the two regions of Xinjiang and Tibet occupy a similar space in China’s political landscape. Both are large volatile regions on the country’s western borders with large non-Han populations—many of whom continue to bristle at their integration into the People’s Republic of China.
After the 2011 tsunami, TV commercials were, out of respect, replaced with public service messages. One was the following poem:
If I say, “Let’s play?”
you say, “Let’s play!”
If I say, “Stupid!”
you say, “Stupid!”
If I say, “I don’t want to play anymore,”
you say, “I don’t want to play anymore.”
And then, after a while,
I say, “Sorry.”
You say, “Sorry.”
Are you just an echo?
No, you are everyone.
Alfred A Yuson’s The Music Child was shortlisted for the 2008 Man Asian Literary Prize at a time when the prize was for unpublished manuscripts. Although the finished novel took the better part of a decade to finally emerge, The Music Child and the Mahjong Queen exemplifies the Prize’s objective of facilitating the publication of new and eye-opening Asian fiction.
The times are a-changing for superheroes. Weary, doubtful and even hated for their supernatural aptitude of putting the world’s needs before theirs, our 21st-century champions are in the middle of a mid-life crisis that is spurning countless books and Hollywood box-office hits. Now the rave is all about bringing them back into the Xanax realm of anguished souls they were supposed to look after.
And that is why Captain Corcoran and his 19th-century confidence in his ability to wow the crowds —especially the ladies—is exactly the kind of hero we want to read about.