The West tends to think and speak of ancient India as a spiritual lot, as a place and time which gives extraordinary importance to religion, and other dimensions of otherworldliness. The poet R Parthasarthy goes to the texts, different from the usual epics, that engage with love in all its corporeality.
It’s not often, if ever, that Hong Kong holds two opera world premieres in a single week; 2018 is off to a good start.
Here we have planted the British flag among the ruins of the ancient capital of Singapura, the City of the Lion! Here we will advance the interests of the East India Company and raise the Malay people to their former glory.
Sir Stamford Raffles is the man most often associated with Singapore’s colonization, and John D Greenwood attributes these words to him in this new novel.
Not only is The Silver Age: Origins and Trade of Chinese Export Silver a useful companion to the Hong Kong Maritime Museum exhibition of the same name, the catalog has enough material, extending well beyond the exhibition, to be a valuable volume in its own right.
Scientists don’t write autobiographies. That’s strange, really, because in most cases they’re obliged to record everything they do in some sort of laboratory notebook for either patent or publication purposes. Here, though, we have an exception. In Confessions of a Hong Kong Naturalist, Graham Reels recounts 12 years of wading watercourses, slogging through swamps and beating about in the bushes of Hong Kong.
Nicholas Gordon talks to Neal Goren, music director for the world premier run of the chamber opera Mila at the Asia Society in Hong Kong.
This is an ably edited and exciting collection from the intersection on the globe where East meets West, an area often neglected in surveys of world literature—there are few translations of works from Georgia available in English.