Nicholas Gordon interviews Choo Waihong, author of The Kingdom of Women: Life, Love and Death in China’s Hidden Mountains.
The ancient Greek philosopher Heraclitus once observed that “seekers for gold dig much earth, but find little gold.”
Here is an unsystematic survey of “best books” lists and a highly unscientific indication as to where Asian books appear in the radar on the mainstream English language press. Only relatively long lists were chosen.
A tour around the region’s past and present in books: some high notes of the past year.
Rather than mounting a second production, Hong Kong’s newest opera company, “More than Musical”, decided to reprise La Traviata, first shown here in June. This was probably a wise decision, artistically and logistically; after all, due to the deliberately small size of the spaces that the company uses for intimacy, only a few hundred people—fewer in total than fit in even one of Hong Kong’s smaller traditional venues—saw it last time. The performances themselves benefited from what was in effect a longer run of six, rather than just three, outings.
On November 18th of this year, a blaze killed nineteen people in a textile manufacturing district of Beijing. Most of the victims were migrant workers, scores of whom continue to live peripheral lives in makeshift, pop-up neighborhoods on the outskirts of major cities across China. In response to the tragedy, the city government instituted a forty-day effort to demolish the capital’s “unsafe” buildings, the result of which has been mass evictions with tens of thousands of homeless migrant workers freezing in wintry Beijing temperatures. Described in official documents as the “low-end population”, these workers—battalions of couriers, cleaners, day laborers, trash collectors—provide the essential service jobs upon which Beijing’s more affluent residents rely.
Nicholas Gordon talks to Chinese operatic soprano Lei Xu, who is singing Violetta in More Than Musical’s production of La Traviata.