From the preface:
To commemorate the 400th anniversary of the death of Spanish writer Miguel de Cervantes, we asked contemporary poets to interpret the themes of Cervantes’s classic Don Quixote for Hong Kong and East Asia, in particular the tension between pragmatism and vision, the “real world” and dreams or, in the words of scholar Ilan Stavans, “between hope and fatalism, … idealism and materialism”, and to explore what this says about the nature of humanity and success.
We hope we have succeeded in having exposed a new generation of poets to a work that many have called the first “modern” novel, and that they and their readers find, in the word of Harold Bloom,
There are parts of yourself you will not know fully until you know, as well as you can, Don Quixote and Sancho Panza.
One of the rewards of running a book review publication is the unexpected surprise that appears out of the blue. One of these is Filipina writer Catherine Torres’s recent collection Mariposa Gang and other stories. The ten stories in this slim volume—a mere 100 pages—are polished, accomplished and structurally sophisticated. Laconic, Torres can say a page in a paragraph. Her characters are human, their circumstances and dilemmas painfully recognizable and real.
Hungry Bengal is the story of Bengal’s man-made famine in 1942 which killed two million people over a period of eighteen months to two years, all while Imperial Britain’s leaders in London looked on unconcerned. It was the British who provided both direct and indirect causes of the famine. When the War with Japan broke out the “little yellow men” proved far doughtier warriors than ever envisaged by Whitehall. British troops were swept aside as the fortress of Singapore fell and the Japanese swept northwards through Burma towards Imperial India.
A rt has been central to China’s long history and to her core spiritual and intellectual values. However, much of that heritage has either been destroyed or it is now kept outside the country. Most of the onslaught has long been self-inflicted, deliberately aimed at China’s own cultural legacy, from the Tang dynasty’s iconoclastic reaction against Buddhism around the year 845 that led to widespread destruction of temples and statuary, to the devastating Taiping Rebellion (1850-1864), or the mayhem of the Cultural Revolution (1966-1976).