While the brightness of China’s economic and geopolitical future is a subject of recurring debate, the prospects for the “China book” industry seem undiminished. Toh Han Shih’s recent Is China an Empire? is, the title notwithstanding, one of the more straightforward and restrained entrants.
Taiwan’s top court just recently ruled in favor of gay marriage, culminating in what could be Asia’s first jurisdiction to allow members of the same sex to marry. Despite many challenges that still persist politically with the ruling, it indicates a more liberal attitude toward non-heterosexual relationships than when Qiu Miaojin published the novel Notes of a Crocodile in the early 1990s.
After the collapse of the Manchurian empire, Japan was keen to expand its holdings in Korea and the Pacific into Manchuria and eventually into Mongolia and the Russian Far East. Their argument was that Japan had to feed its huge population with scarce resources, so imperialist expansion was a matter of life and death.
Chinatown Sonnets is a sonnet sequence that updates the age-old idea of East meets West in which West fetishizes East, Hong Kong emulates Paris, Mong Kok is the “Times Square of Asia”, and primetime television in Hong Kong rivals American soap operas in upper class drama.
Tokyo is the world’s largest megalopolis, arguably the cleanest and safest too. But what fascinates me is the intricate way 34 million people survive in the density and sometimes crush of humanity. On the surface there may be a homogenous veneer to the inhabitants, but as I learned when living in Japan, Tokyo-ites have an intense, often fierce individuality. Getting to know a few of them well, they revealed their inner selves to me, which sparked a realization of a deeper individuality in myself.
Hong Kong Women in Publishing is an organization that promotes the status of women working in publishing and related fields and publishes an annual anthology of members’ writing and artwork. Imprint 16 is the latest volume in the series.