The ancient Greek philosopher Heraclitus once observed that “seekers for gold dig much earth, but find little gold.”
Knowingly or not, anyone who has spent much time at all on what used to be called the “China Coast” will surely have come across the paintings of the George Chinnery, an English artist active in Macau in the second quarter of the 19th century. Whatever profile Chinnery may have in the broader painterly pantheon, in Hong Kong and Macau he is the closest to an artistic native son that the Western colonial tradition has.
The Circassian sounds like the name of a film; there’s more than enough material here for one. Eşref Bey, or Eşref Kuşçubaşı or any of the other names by which he went, played many roles in his life: brigand, family man, military leader, spy, rebel. He crossed paths if not quite swords with TE Lawrence—Lawrence of Arabia—with whom he is sometimes compared. But in spite of Eşref’s fame—or notoriety—information on him seems hard to come by in English; he does not even seem (at this writing) to have a Wikipedia page.