Opera travels well. Its stories are the stories of our collective humanity—love, loss, revenge, strife, rebellion, rejuvenation, absurdity, tragedy—and its archetypes not only define cultures but also connect them. In many respects, we can no longer speak in essentializing ways about Western opera or Chinese opera, but rather must address the world of opera and global operatic voices.
A Tokyo Romance is a memoir of living in Japan from 1975 to 1981 that immerses the reader in a world of avant-garde theatre and film. It serves as an interesting look at a time when Japan, not China was taking the world by storm. The author, Ian Buruma, currently editor of the New York Review of Books, meditates on living in Japan as a foreigner and how to approach being a perennial outsider. For Buruma, the experience is liberating and Japan is a catalyst for finding his own artistic voice.
Ibn who? He may have been one of the most important intellectuals ever produced by the Muslim world, but I suspect few beyond specialists know him, if at all, beyond his name and that of his most famous work, the Muqaddima (Prolegomena), by far the greatest and most significant study of history ever produced by a Muslim scholar.
Much of what we know of Gendun Chopel in the West must surely be due to the efforts of Donald Lopez, who tells us that he’s written six books on him; “I had not intended to write so much about him,” he says on the first page of this new book, but readers should be glad that sometimes intentions simply go out of the window!
Immigration reform’s prominence in global news doesn’t seem to be letting up anytime soon. It’s an especially heated topic in the United States when immigrants aren’t filling such sought-after professions as nuclear engineers and information technology experts. Regardless of one’s position on immigration, however, it’s surely in everyone’s best interest for all immigrants to succeed in their new homes. And one of the most effective paths to success is having a solid support system—ie, a family—in a new land. Lauren Hilgers’s recently-published book, Patriot Number One: American Dreams in Chinatown, addresses this topic and couldn’t have come out at a more pertinent time.
The ancient Greek philosopher Heraclitus once observed that “seekers for gold dig much earth, but find little gold.”
Knowingly or not, anyone who has spent much time at all on what used to be called the “China Coast” will surely have come across the paintings of the George Chinnery, an English artist active in Macau in the second quarter of the 19th century. Whatever profile Chinnery may have in the broader painterly pantheon, in Hong Kong and Macau he is the closest to an artistic native son that the Western colonial tradition has.