When psychedelic rock music came to Southeast Asia via American GIs during the Vietnam War, it greatly influenced the music scene in Cambodia. Cambodian Rock Band, a new play running in Chicago through May 12 celebrates this resulting music that not only abruptly went away in 1975, but for the most part hasn’t been performed since then. Playwright Lauren Yee centers her story around the interaction of fictional band called The Cyclos with the very real person who directed the terror of the Tuol Sleng torture center, a former school that was converted in a prison during the reign of the Khmer Rouge. Only seven people survived Tuol Sleng.
Brian Eyler isn’t a fan of dams, perhaps any of them, but at least not those that are, or may be, on the Mekong.
Exoticism and marketable anguish were an unavoidable trope during Hollywood superstar Angelina Jolie’s premier event last week at Angkor in Cambodia. Amidst the harrowing tales of Khmer Rouge-era suffering, cameras and lights were focused on the actress as she munched on fried “a-ping” zebra tarantulas in one corner of the Angkor temple complex. Such are the sorts of clichés that Samuel Ferrer must—and prudently does—eschew in his enjoyable historical novel The Last Gods of Indochine set in the shadows of Angkor.
William J Rust has been researching and studying the history of US relations with the nations of Southeast Asia for more than three decades in an effort to explain the origins of the Second Indochina War. His latest book, Eisenhower & Cambodia, focuses on the Eisenhower administration’s policies toward Cambodia and its mercurial leader Norodom Sihanouk after that country gained its independence in the wake of the First Indochina War against France.