Literature from Central Asia in English is rare; it may even be rare in the original, untranslated, given the relatively small populations and some seven decades of Soviet linguistic, literary and cultural oppression. In any event, it appears that there are just two works of Turkmen fiction available in English, both by the dissident, and exiled, writer Ak Welsapar: the novel The Tale of Aypi and this recently published collection of short stories.
So you’re planning a trip on the Silk Road. You’re looking for tips on what to take, routes, currencies, visas.
It’s pretty hard to compete with the invention of the chariot, the Silk Road, Genghis Khan and Tamerlane, so Christoph Baumer’s fourth and presumably final volume in his magisterial history of Central Asia is something of a mopping up operation.
Might Hamid Ismailov’s The Devils’ Dance open Central Asian literature to the world as Gabriel García Márquez’s novels did for Latin America? Probably not—things rarely work out like that—but perhaps it deserves to.
It is worth periodically remembering—as the tsunami of news of China’s momentous economic and political developments rushes past—that China has not always been “Chinese” in the quite the way it is, or can be presented to be, today.
This special exhibition at the Hong Kong Museum of History makes considerable use of audiovisuals, especially video, which have the dual advantage of not requiring insurance and holding the interest better than, say, incomplete pots which, however interesting, can also be somewhat dry.
While it may be true, as writes Robert Sutter in the introduction to National Bureau of Asian Research’s excellent report “Russia-China Relations”, that “The United States has a long experience in assessing the twists and turns of the relationship between Russia and China and what it means for US interests”, most casual (Western-oriented) observers are probably more likely to see international relations as a hub-and-spoke system with the US at the center, rather that the mesh network it actually is.