Amber Scorah’s time in Shanghai was not the typical expat sojourn. “Revolutions do not come without violence,” she writes in her new memoir. “If I hadn’t come to China, I would never have even noticed. Somehow, in one of the most restrictive places in the world, I had found freedom.”
As a child growing up in Atlanta, author Julie Leung didn’t have the opportunity to read about inspiring Chinese-Americans and, specifically, Chinese-American artists. When she learned about Tyrus Wong, the artist who created the style in the Walt Disney film Bambi, through his New York Times obituary, Leung decided to write his story in the picture-book biography Paper Son: The inspiring story of Tyrus Wong, immigrant and artist.
When Abigail Hing Wen was a teenager, she spent a summer in Taiwan to get in touch with her Chinese roots. The program, funded by the Republic of China, has been dubbed the “love boat”, but has nothing to do with ships or the sea.
At first hearing, Stories of the Sahara sounds improbable: about a half-century ago, a young Chinese woman from Taiwan decamps to El Aaiún in the then Spanish Sahara.
Whither China? It is perhaps the most important question on the minds of statesmen, diplomats, and scholars. French political scientist Jean-Pierre Cabestan, who teaches at Hong Kong Baptist University, attempts to supply the answer in his new book China Tomorrow: Democracy or Dictatorship?
“On a sultry August day I set out to walk a straight line across Beijing.” So begins Jonathan Chatwin’s Long Peace Street: A Walk in Modern China. The street, called Chang’an Jie in Chinese, “runs arrow-straight and ten lanes wide in some places,” bisecting the heart of Beijing.
Toward the end of his life, Algernon Blackwood famously reminisced that “I used to tell strange, wild, improbable tales…” The tale of the friendship between Lu Xun and Uchiyama Kanzō would have met Blackwood’s standard—a look at Shanghai during those times, now nearly 100 years ago, suggests why.