If there is a place and time in China that appeals to English readers more others, it’s pre-1949 Shanghai. The Paris of the East, Queen of the Orient, and the City that Never Sleeps are just a few of its monikers from the 1920s until late 1940s. Because 70 to 80 years has passed since then, fewer and fewer people are around to share stories from that era.
Bluntly and simply, this is a very scholarly book about twenty-one tombstones with Arabic and Persian inscriptions on them, epitaphs commemorating people whom most of us have never heard of. Every one of them is carefully photographed front and back, the texts transcribed and translated in the lengthy appendix. A second appendix describes “The Islamic Stelae of Hangzhou”.
William Atkins has done extensive and presumably rather expensive research for The Immeasurable World. He writes from first hand experience of visiting eight deserts as diverse as the empty quarter of Oman and the famous Burning Man Festival in the United States. Each gets an extended essay with similar components. So, no rides for days on end with just a camel for a friend, but Atkins, to his credit, does manage at each of the deserts he visits to get some sand in his shoes and some camel hair in his oatmeal porridge.
In her skillful retelling of the history of white workers’ violence against Chinese immigrants and the formulation of laws to first restrict, and then exclude, Chinese laborers from the United States in the mid-late 19th century, Professor Lew-Williams weaves a story of racial discrimination and nativism that continues to resonate today.
The fictional exploration of the social demotion caused by immigration is hardly new, but rarely has it been portrayed with such warmth and urgency as in Kelly Yang’s middle-grade novel Front Desk.
In his foreword to this anthology, Jonathan Stalling eloquently describes how “Taiwan literature, like its complex writing systems, exists as a palimpsest of the cultural contact points, overlapping languages, peoples, and histories that have paved the way for one of the most vibrant literary scenes in the Sinosphere and the world beyond.” The aptness of this delightful description is borne out by what follows, namely 11 diverse, yet eminently readable, short stories and essays written between 1976 and 2013.
War, Clausewitz wrote, is the continuation of politics by violent means. War also breeds revolution. It is no accident, as Marxists are wont to say, that communism gained power in Russia and China in the midst and the aftermath of world wars and civil wars.