A few years ago, President Xi Jinping gave a speech which offered his views on the role art should play in Chinese life.
Steven Mosher has written important books about the everyday lives of the rural Chinese and China’s coercive population policies. In his new book, Bully of Asia, he ventures into the realm of geopolitics and perceives a global, zero-sum conflict between China and the United States.
They say that armchair generals discuss tactics but real generals discuss logistics. So here’s something different. Dawn of Victory is an account of World War I focused entirely on logistics. Jim Maultsaid enlisted at the outbreak of the war in 1914 and was immediately sent to the front where he was badly wounded on the first day of the Somme offensive. He survived, but was permanently disabled. Rather than being demobilized, he was packed off to officer candidate school and then sent back to France as a Lieutenant in charge of one platoon of the 96,000 Chinese labourers recruited to help with the war effort. His were from Shandong. Dawn of Victory is the story of the platoon’s day-to-day struggle to keep the frontline troops supplied with food, ammunition and fuel.
The rise and fall of Brazil, Russia, India, and China, the so-called BRIC nations, is the great geo-economic story of the twenty-first century. In the early 2000s, these countries were tipped to redraw the economic map of the world. With a combined population of nearly 3 billion, they constituted roughly 40 percent of the world’s people. Throughout the first decade of the new millennium, they were among the fastest-growing countries in the world, sailing through the 2008-2009 global financial crisis in a way that made them the envy of the world. When the long-standing G-7 group of developed countries proved unable to meet the challenges posed by the crisis, the wider G-20—including all four BRICs economies—rose to the occasion. At a time when developed countries were talking austerity, the BRICs countries opened the taps on government spending. The crisis did not turn into the second Great Depression (though it looked as though it might in early 2009). For this, surely some of the credit goes to the swift action taken by the BRICs to stimulate domestic demand.
The subtitle of Kerry Brown’s new book, China’s World: What Does China Want?, is a question that is on the minds of the world’s statesmen, policymakers, international relations scholars, global investment advisors, international business leaders and geopolitical thinkers. Given China’s growing global diplomatic, economic, and military footprint, the answer to that question will shape the geopolitics of the rest of the 21st century.
Why do people still sit spellbound through works of musical theatre that are dozens of decades old, written in and about times that have long passed from living memory? There is of course the music and the wonder of the unamplified voice, but opera is also, critically, about the story. There is love, passion, betrayal, pathos, death, hope. There is tension combined with, frequently, impossible choices. Our heroines are asked to choose between their families and their hearts, between a duty to country and a duty to themselves. Opera often poses universal questions—universal because there are no answers—and in that universalità there is unity.
“Over the past two years Chinese communists have devoted increasing attention to extending their influence in the Buddhist countries of Southeast Asia,” reads an United States government report from 1957. To counter that influence, Eugene Ford writes in Cold War Monks, the US developed a strategy of “considerable guile, sophistication, and determination”, a funneling of significant funds through a front organization to help the Buddhist faith retain its hold on local populations and its leadership aligned with Western interests.