The first half of May was been a busy fortnight for opera in the Greater Bay Area. The renowned Chinese soprano He Hui sang her first Wagner role, Senta in Der fliegende Holländer, at the Guangzhou Opera House on 5 and 7 May, a dramatic move (literally and figuratively) away from the Verdi and Puccini heroines for which she is best known.

Cold and rainy England and Scotland exerted what now seems a surprisingly strong pull on Italian opera composers of the first part of the 19th century. Gaetano Donizetti alone had a string of four operas about the Tudors, starting with Elisabetta al castello di Kenilworth and quickly followed by Anna Bolena, Maria Stuarda and finally Roberto Devereux.

The Italian Cultural Institute Hong Kong’s production of Gaetano Donizetti’s Rita, originally performed at the 2020 Italia Mia Festival, has been adapted and reprised at the Guangzhou Opera House. Performed “in the round” and reset to emulate the Theatre’s own bar, the performance featured soprano Xing Xingyuan as Rita, tenor Lin Junliang as Beppe and baritone Zhong Haodong as Gasparo. Zheng Honghao conducted a chamber ensemble in Italian composer Marco Iannelli’s new arrangement.