Some of the most lasting consequences of war are displacement, refugees, and broken families. Eugenia Kim’s new and brilliant novel examines a family separated by not just one, but two wars.
Although set in an exotic late-Ottoman Istanbul, a city of harems, dervishes, veils and fezzes, Ahmet Altan’s Like a Sword Wound nevertheless reads like a familiar and recognizable Western European period classic.
Author Louis Cha, whose wuxia martial arts novels became Chinese cultural touchstones and who heralded an explosion of Hong Kong literary and media production, died 30 October. Though Cha leaves a legacy of massive sales in Asia, his books have not yet taken hold in the west. Efforts this year to expand his English readership, however, can only gain new resonance with Cha’s passing.
The term “historical novel” usually arouses images of 18th-century swashbuckling. Sweden, however, is a historical novel set much closer to our own time. According to the official record, more than half a million American servicemen attempted to desert during the Vietnam War.
Behind the somewhat unprepossessing title, The Watermelon Boys is the story of several several interlocking destinies playing out in what is now Iraq during and immediately after World War I.
The Court Dancer, the latest novel by Man Asian Literary Prize winner Kyung-Sook Shin, is likely destined to be read in several different ways. The first, and in some ways the most commercial, is as East-West romantic period fiction in the tradition of, say, Alessandro Baricco’s Silk or any number of English-language examples.
Expect no easy ride. Author Bryn Hammond evidently thinks that the best way to teach you swimming is to throw you into the deep end. But if you don’t drown instantly, and if you brace yourself through the first 10-20 pages of Against Walls, there is a good chance that you’ll stay in the magic waters of her world until the end of the story.