Scientists don’t write autobiographies. That’s strange, really, because in most cases they’re obliged to record everything they do in some sort of laboratory notebook for either patent or publication purposes. Here, though, we have an exception. In Confessions of a Hong Kong Naturalist, Graham Reels recounts 12 years of wading watercourses, slogging through swamps and beating about in the bushes of Hong Kong.

Hong Kong can be a curious place. Ghost Love is a new Putonghua-language chamber opera, conceived and written locally, receiving what is—insofar as I can tell—its world premier this weekend, and yet, despite a number of attractive posters placed around town, there is hardly any mention of this in the press or online.

Rather than mounting a second production, Hong Kong’s newest opera company, “More than Musical”, decided to reprise La Traviata, first shown here in June. This was probably a wise decision, artistically and logistically; after all, due to the deliberately small size of the spaces that the company uses for intimacy, only a few hundred people—fewer in total than fit in even one of Hong Kong’s smaller traditional venues—saw it last time. The performances themselves benefited from what was in effect a longer run of six, rather than just three, outings.