Asia has a long history of the printing and dissemination of news. In his book on origins of modern journalism in India, Andrew Otis mentions bulletins published by the Chinese, handbills by the Japanese and newsletters distributed by runners. Ever since the introduction of the printing press in India in the 16th century by the Portuguese Jesuits, the European colonists and missionaries used the technology to print their newsletters.
If any reader has ever thought about Indian magic, those thoughts would likely conjure up (pun intended) images of snake-charmers, levitation, rope tricks, jugglers and people taking afternoon naps on beds of nails.
The Sindhi diaspora, whether in India or around the world, have a warm spot for the name Shah Abdul Latif, an 18th-century Sufi poet from Sindh, Pakistan, and a contemporary of the better known Punjabi Sufi poet Bulle Shah.
So you’re planning a trip on the Silk Road. You’re looking for tips on what to take, routes, currencies, visas.
It’s pretty hard to compete with the invention of the chariot, the Silk Road, Genghis Khan and Tamerlane, so Christoph Baumer’s fourth and presumably final volume in his magisterial history of Central Asia is something of a mopping up operation.
The ancient Indian epics carry a kind of authority different from their Western equivalents. The Indian audience has been ready to stay invested in the story for longer, unto the present times. The story of Rama is performed every year in India before the Hindu festivals of Dussehra and Diwali celebrated to mark, respectively, Rama’s victory over Ravana, and his return to Ayodhya.
Although “Subjunctive Moods” is the name of the second of the stories in CG Menon’s debut collection, it is apt for the entire collection. In grammar (albeit less so and increasingly rarely in English), the subjunctive is used when a condition of uncertainty or conditionality prevails; “if I were the author,” for example, “I might have chosen just this title.” Even a slight perturbation in reality can result in a different verb conjugation or, as it is called, “mood”. Most of Menon’s protagonists are none “too steady on their feet”, as two of them say of themselves, whether literally or as an existential condition: if lives could be conjugated, these would be in the subjunctive.