Introducing Hinduism to those not familiar with the religion risks oversimplification. Martin J Dougherty cleverly navigates the pitfalls by sticking to the subjects of origins and central figures of mythology in his fairly comprehensive (for an introduction) Hindu Myths: From Ancient Cosmology to Gods and Demons.
Having recently reviewed Matty Weingast’s attractive collection of poems from the Therigatha, I was somewhat surprised to see that Shambhala had decided to reissue an newly-expanded version of Songs of the Sons and Daughters of Buddha (1996), given that the female half was already available in Weingast’s excellent and sensitively-handled new version. However, in addition to the fact that this edition includes male poets, the choice of female poets is not always identical, and of course it’s also interesting to see how different translators treat the same poems.
In 2018, the Supreme Court of India struck down a colonial era law that criminalized adultery: a man who had consensual sexual intercourse with another man’s wife without the consent of the husband could be punished. The Court ruled that women are not cattle to be controlled by their husbands.
Andrew B Liu’s Tea War comes with a promising title and an equally promising concept. What better window into macro-economic evolution of east and south Asia than the development of iconic beverage of the region, “the most consumed beverage around the world today” aside from water? And war it was, between the centuries-old Chinese and nascent Indian exports of a quintessentially Asian commodity.
Perumal Murugan’s Kazhimugham is an ugly novel. Ugly, that is, as Umberto Eco would have it: its subject is ugliness and it is a work that the author claims breaks the conventional rules of beauty.
Arrivals & Departures is Reena Kapoor’s debut poetry collection. This anthology takes readers on a journey through a multitude of places, time periods, and emotions, including the nostalgia of one’s homeland, the suffering and resilience of women who experienced India and Pakistan’s 1947 Partition, parenthood, and life’s other simple pleasure. Kapoor draws readers into new worlds with her words and allows them to find themselves within.
A House is a Body is the first book-length outing for two-time O Henry Award-winner Shruti Swamy. Most of the stories have been published separately before in such journals as The Paris Review, but they take on a particular strength when arranged together in a collection. Some take place in India, others in the West, but the power of the book rests in those stories that subtly show how women have traditionally not been recognized for the nurturing roles they take up.