The rise and fall of Brazil, Russia, India, and China, the so-called BRIC nations, is the great geo-economic story of the twenty-first century. In the early 2000s, these countries were tipped to redraw the economic map of the world. With a combined population of nearly 3 billion, they constituted roughly 40 percent of the world’s people. Throughout the first decade of the new millennium, they were among the fastest-growing countries in the world, sailing through the 2008-2009 global financial crisis in a way that made them the envy of the world. When the long-standing G-7 group of developed countries proved unable to meet the challenges posed by the crisis, the wider G-20—including all four BRICs economies—rose to the occasion. At a time when developed countries were talking austerity, the BRICs countries opened the taps on government spending. The crisis did not turn into the second Great Depression (though it looked as though it might in early 2009). For this, surely some of the credit goes to the swift action taken by the BRICs to stimulate domestic demand.

It is that time of the year again. The day after Diwali, the Hindu festival of lights loudly celebrated with an army of firecrackers, Delhi residents wake up with something that is worse than a hangover: a cloud of toxic fumes stubbornly sitting on the face of the Indian capital, choking it to a slow death. In her book, Choked: Everything You Were Afraid to Know about Air Pollution, Indian writer Pallavi Aiyar dissects the airpocalypse that has spread to India’s major cities over the past few decades.

As if reworking Shakespeare’s King Lear weren’t enough of a challenge, author Preti Taneja also tasks herself with turning the epic power-struggle into a call to arms for social change. Set between the murky corporate world of New Delhi and its interests in Srinagar, Kashmir, We That are Young is both a criticism of today’s consumer culture and an appeal to those who will inherit it.

A little before John Donne and George Herbert penned their devotional poetry in the sixteenth century, a couple of bhakti (devotional) or sant (saint) poets in India began to write about the glory of God and the sentiment of devotion. Surdas, Tulsidas, Mirabai and Kabir are among the medieval saint poets becoming increasingly well-known outside their native India. However, with the exception of Tulsidas whose Ramcharitmanas is known to the West as the Bible of North India and has been translated several times in English, it can be difficult to separate the historical, authorial personalities from the interpolations by later poets who continued to compose in a similar vein.