For fifty years after the independence, Indian scholars looked at 1947 as a year of “triumph and tragedy”. Freedom from the British rule was the triumph of the nationalist movement and the Partition of the subcontinent into India, East Pakistan and West Pakistan was the tragic co-effect of the independence. It took about half a century for Indians to realize that there has been an uncanny silence around the riots that affected millions of people trying to escape to a land of a safer religion or to hold on to the place they felt they had always belonged.
Mention of the British East India Company brings to mind visions of imperialism, exploitation and oppression of colonial peoples in Asia, and India as the “jewel in the British crown”. The Company was all that and more.
When Jeet Thayil writes a book about chocolate saints, one knows it will not be the kind populated with Easter eggs and Willy Wonkaian characters. Rather, think Umberto Eco acid-tripping on a couch punctured with cigarette burns in a moldy basement.
Asia has a long history of the printing and dissemination of news. In his book on origins of modern journalism in India, Andrew Otis mentions bulletins published by the Chinese, handbills by the Japanese and newsletters distributed by runners. Ever since the introduction of the printing press in India in the 16th century by the Portuguese Jesuits, the European colonists and missionaries used the technology to print their newsletters.
If any reader has ever thought about Indian magic, those thoughts would likely conjure up (pun intended) images of snake-charmers, levitation, rope tricks, jugglers and people taking afternoon naps on beds of nails.
The Sindhi diaspora, whether in India or around the world, have a warm spot for the name Shah Abdul Latif, an 18th-century Sufi poet from Sindh, Pakistan, and a contemporary of the better known Punjabi Sufi poet Bulle Shah.
So you’re planning a trip on the Silk Road. You’re looking for tips on what to take, routes, currencies, visas.