One of the major casualties of the Asian financial crisis was President Suharto who had been in power for thirty-two years. The crisis was a key point in Indonesia’s history, at the time it was unclear if the nation would make the necessary reforms to move forward or fall into further chaos. In Resurgent Indonesia, Vasuki Shastry investigates the effects of the 1997 Asian financial crisis on Indonesia and the subsequent fall of the authoritarian Suharto in 1998. He then deals with the process of building a democratic nation and the political environment in Indonesia in 2018. The book gives a detailed account of the crisis and recovery at the domestic level but also in the wider geopolitical context.
When we had finished tea, we went down to the beach. My host untied an outrigger canoe and pushed it out into the shallows. I rolled up my trousers and followed him, my backpack on my back. I tossed the backpack into the boat and climbed in. Soon we were out in the bay, the sea floor falling rapidly away beneath us, the water sparkling and clear. We paddled away from the land, and then he turned the boat to the north, following the line of the coast. It was a beautiful day, and it felt good to be out on the water.
In the early 19th century, the Dutch administration simply removed sufferers from public view: campaigns targeted anyone “looking ugly”. Towards the end of the century, colonial science considered leprosy a hereditary disease of tropical subjects, and therefore undeserving of the colonial government’s limited resources. The leprosariums were emptied.
Janet Steele’s new book is a deep dive into five leading Malaysian and Indonesian news publications: Tempo, Malaysiakini, Harakah, Republika and Sabili.
In 2015, Indonesian-born Singaporean author Clarissa Goenawan won the prestigious Bath Novel Award for unpublished and self-published novelists for her novel Rainbirds, which—some two years later—is now seeing the light of day.
Eka Kurniawan is the Quentin Tarantino of Indonesian literature: a brash wunderkind, delivering gleeful references to pulp fiction, lashings of stylized violence, and an array of characters and scenarios that far surpass the tropes and clichés which inspire them. But as with Quentin Tarantino, one might occasionally wonder just how much substance lies beneath the indisputably stylish surface.
If you were to visit the British Museum and take a quick look at HC Cornelius’s View of the ruins of a Bramin temple at Brambanang, you might surmise that it is an exquisite piece of landscape art, depicting a typical rural scene in early 19th-century Java.