“Once you have decided to have your photograph taken,” Matsuzaki Shinji wrote in 1886, “you should clean your entire person, comb your hair, shave your face (while those with long beards should wash them thoroughly), and take care that no dirt is attached to the face or the rest of your body.” He followed this up with twenty-five more “dos and don’ts” for the customer.
When the end came, it came quickly and, for most of the Japanese inhabitants of occupied Manchuria, unexpectedly. Kiku Kyuzo, protagonist of Beasts Head for Home, was of one of the great many Japanese left behind when Manchuria fell to the Soviet Army in August 1945.
The prolific British historian Niall Ferguson contends that the Second World War began in July 1937, when, after an “incident” at the Marco Polo Bridge on the outskirts of Beijing, Japan sent five divisions to Northern and coastal China. By the end of the year, more than 800,000 Japanese troops occupied 150,000 square miles of Chinese territory, and the Chinese capital of Nanking had been literally raped and pillaged by Japanese forces.
The recurring themes of Manchuria’s history—and Empire and Environment in the Making of Manchuria, edited by Norman Smith—are colonization and the environment.
Over centuries, Manchuria—the region covering the remote northeast of modern-day China—has been fought over by competing imperial powers. Its geographic location at the intersection of three of the 20th century’s most powerful empires—Russia, China and Japan—has seen Manchuria play host to a series of conflicts (both hot and cold) from the 1600s until the end of the Chinese civil war in the mid-20th century.
After the collapse of the Manchurian empire, Japan was keen to expand its holdings in Korea and the Pacific into Manchuria and eventually into Mongolia and the Russian Far East. Their argument was that Japan had to feed its huge population with scarce resources, so imperialist expansion was a matter of life and death.
Tokyo is the world’s largest megalopolis, arguably the cleanest and safest too. But what fascinates me is the intricate way 34 million people survive in the density and sometimes crush of humanity. On the surface there may be a homogenous veneer to the inhabitants, but as I learned when living in Japan, Tokyo-ites have an intense, often fierce individuality. Getting to know a few of them well, they revealed their inner selves to me, which sparked a realization of a deeper individuality in myself.
Bears in various forms have been popular in myth and fiction for thousands of years, from Inuit traditions and the Greek myth of Callisto to John Irving’s cameo appearances of bears in his novels, and from William Kotswinkle’s bear turned New York literary sensation to, of course, Winnie the Pooh, Paddington Bear, and The Three Bears. We respect them and are in awe of their size, physical strength, and seemingly introspective intelligence. Not to mention bear cubs are so cuddly they inspired the ubiquitous teddy bear. Yoko Tawada, award-winning novelist who was born in Tokyo and lives in Germany, has no fewer than three bears starring as main characters in her novel, along with a cast of other bears and non-bear animals (including those of the human species).