The title of Roberto Carmack’s book is a bit misleading, as is the book’s cover, which shows two helmeted and uniformed soldiers in battle. The book is part of the Modern War Studies series, but its focus is on the administrative, institutional and ideological aspects of war in the Kazakh Republic of the Soviet Union during the Second World War. It is more sociology than military history.
Perhaps because Central Asia is still off the beaten track, it attracts its fair share of travel writers, maybe more than its fair share, from the venerable Colin Thurbon (who has two, The Lost Heart of Asia and Shadow of the Silk Road), two by horse (The Last Secrets of the Silk Road by Alexandra Tolstoy and On the Trail of Genghis Khan: An Epic Journey Through the Land of the Nomads by Tim Cope) and the cleverly-entitled Out of Steppe by Daniel Metcalfe and Postcards from Stanland by David Mould. Fortunately for Erika Fatland, the region is changing so quickly that no one, not even Thurbon, remains definitive for long: there’s always room for a new entry.
It is tempting to label Rollan Seisenbayev’s The Dead Wander in the Desert as an early example of what has now been come to be known as “cli-fi” (“climate fiction”): the book’s central motif, after all, is the human-engineered collapse of the Aral Sea.
Although Aigerim Tazhi is Kazakh, she writes in Russian. “I live in Kazakhstan,” she is quoted in translator J Kates’s introductory essay as saying,
but I was born in the Soviet era. We had a common country then, a common capital (Moscow), and the main language was Russian. Therefore, in school we were taught in Russian, on the streets and at home we talked in Russian. I did not choose the Russian language, did not evaluate it in terms of its attractiveness. It’s just the language that I’ve spoken since childhood.
Unlike other forms of disaster—such as earthquake, flood or hurricane—famine is a distinctly political occurrence. Most often they are the product of political action that deprives people of food, either through neglect or targeted victimization. Such was the case for the nation-wide famine inflicted upon the Kazakh Soviet Socialist Republic—now the modern-day Central Asian state of Kazakhstan—from 1930-33.
China shares borders with 14 other countries, more than almost any other nation. Its near neighbors represent a diverse collection of countries, from dominant powers such as Russia and India, to the smaller emerging nations of Laos and Bhutan. Throughout China’s history, it is through these borders that the influencing forces of trade, ideology and imperialism have traveled. China’s border regions have resumed their importance in recent years with political protest among the country’s ethnic minorities in Xinjiang and Tibet, and the development of the One Belt, One Road initiative—which seeks to further bind China’s neighbors to its economic agenda through the creation of a “New Silk Road”. As it currently stands, China’s borders represent an opportunity for trade and cultural exchange, but also a risk from political agitation, terrorism and even military conflict.
This special exhibition at the Hong Kong Museum of History makes considerable use of audiovisuals, especially video, which have the dual advantage of not requiring insurance and holding the interest better than, say, incomplete pots which, however interesting, can also be somewhat dry.