Once a relatively obscure topic, the Manila Galleon—in essence a commercial shipping line that connected Asia to the Americas from the 16th to early 19th centuries and arguably the key building block in the development of what we have since recognized as “globalization”—is now the subject of an increasing number of studies. In the latest, Portuguese Merchants in the Manila Galleon System, 1565-1600, former Mexican diplomat Cuauhtémoc Villemar looks at the involvement of Portuguese merchants—and by extension Macau—in the Galleon’s first few decades.

While the Second World War may have concluded more than seventy years ago, new stories from that era continue to pop up, even now. Paul French’s new book, Strangers on the Praia: A Tale of Refugees and Resistance in Wartime Macao, tells the little-known history of Jewish refugees in Shanghai that fled to the neutral Portuguese enclave.

There are some cities that lend themselves to darkness and intrigue. Macau is one of these places. First settled by refugees fleeing the Mongol invasion in northern China, it became a fishing village and later a haven for pirates. The Portuguese arrived in the 1500s and built a slice of the baroque Mediterranean in South China. It was returned to China in 1999 and today it’s the gambling capital of the world.

While hardly a rarity, Gaetano Donizetti’s comic opera L’Elisir d’Amore (The Elixir of Love) doesn’t usually rank in popularity with the likes of Aida, La Bohème or Carmen. But after a performance such as that which acted as the curtain-raiser for the Macau International Music Festival, it can be hard to understand why not. Effortlessly enjoyable, the work also contains passages of aching beauty and contains more insights into human nature than its rom-com surface would let on.