Lee Fook Chee’s Hong Kong: Photographs from the 1950s is a remarkable book with many levels of meaning. It tells the story of a lone immigrant photographer and presents his collection of photographs portraying 1950s Hong Kong. A photo book, and of the highest standards at that, it also brings sharp and fresh research into the social history of the place that invites scrutiny on how it compares itself sixty years later. The entire book, its sum greater than its parts, will delight therefore not only photography aficionados but anyone with a serious interest in Hong Kong.

If you turn to page 105 in this book you will see two extraordinary figures standing and facing each other in a colored albumen print from 1872. They both have bare feet; one wears a light-blue three-quarter length robe, rather like an elegant silk dressing-gown, and the other a similar one of a darker color, with what looks a little like a skirt underneath. They have rather serious expressions on their faces, and medium-length thick, dark, dry-looking hair. They both have upturned mustaches, rather in the style affected by Kaiser Wilhelm II, although not quite as extreme, and they look as if they’ve been painted on.