William Gross (or Grose) was a 19th-century African-American pioneer and hotelier in Seattle that caught the attention of author Amy Sommers. She bases her novel Rumors from Shanghai on a fictional grandson, Tolt Gross, a young lawyer who moves to Shanghai and soon after learns of Japan’s plans to bomb Pearl Harbor.
Crystal Z Lee’s debut novel, Love and Other Moods, begins—as one does—with a lavish wedding à la Crazy Rich Asians. Chinese-American Joss Kong is marrying ultra-wealthy Tay Kai Tang at a swanky Shanghai hotel with an audience of friends and family that speak a variety of Chinese dialects and English with a variety of accents. There’s a Who’s Who of designer and luxury goods on everyone in the wedding party and on every guest.
“These violent delights have violent ends. And in their triumph die, like fire and powder, which as they kiss, consume.”
Chloe Gong sounds more like a character in a young adult novel than the author of one. A Shanghai-born, New Zealand-raised UPenn senior double-majoring English and international relations lands a book deal with one of the most reputable publishers of children’s books and publishes it to considerable (and deserved) critical acclaim.
Writer and editor Mu Shiying declared 1934 the Year of the Magazine, marking a dramatic rise in Chinese pictorial magazines, modeled on American publications like Life and Vanity Fair.
Amid the plethora of China memoirs by Western writers over the years, this new one set in Shanghai from 1978 to 1979 stands out a little because it takes place during a time of transition in China. But Anne E McLaren’s Slow Train to Democracy is more than just a record of her time in China or the transition; it’s an account of a little-known democracy movement in Shanghai —around the time the government coined the term “socialism with Chinese characteristics”—that was eclipsed by Tiananmen a decade later.
November 12, 1941 was in Shanghai a day like another. Except that this was the day of the Champions Day horse races at the Shanghai Race Club. And that within a month the Japanese would put an end to the Shanghai that everyone knew. In Champions Day: The End of Old Shanghai, James Carter uses this one day to paint a “kaleidoscopic portrait” of a dynamic city on the brink of war. On that day thousands of people across Shanghai gathered at one of three places around the city: a celebration of Sun Yat-sen’s birthday; the funeral of Liza Hardoon, Asia’s wealthiest woman; and the Champions Day horse races at the Shanghai Race Club.