Wisdom has it that forgetting the past risks repeating it. The old must remind both themselves and the young where they came from, what happened to them and why, and who was responsible.
Belonging and inclusion are the themes which bind together this offering of short stories and poems from The Whole Kahani, a collective of award-winning female writers of British-Asian origin. The preface, written by Preti Taneja, acclaimed author of We That Are Young, outlines the mission statement of the collective, whose name translates as “the full story”.
That use of first-person plurals in the title of Early Indians: The Story Of Our Ancestors And Where We Came From should not put non-Indians off. Tony Joseph has, based on and catalyzed by the most recent genetic research, written a clear, readable and, for those unfamiliar with the subject, fascinating history of Indians as a people. It will also serve both as a primer to the way the ability to read the human genome is revolutionizing archaeology as well as a salutary alternative to the eurocentric perspective of many if not most treatments of early human history.
The prolific American geopolitical analyst Robert Kaplan in his book Monsoon wrote that the Indian Ocean region is the new “pivot” of global politics in the 21st century. China’s emergence as America’s peer competitor in East Asia and potentially beyond has magnified the importance of South Asia in global geopolitics.
Amma and Baba had met several years before they were grudgingly allowed to marry. (Or at least that is what we had been told.) In 1978, Baba traveled with a group of friends from the coastal city of Karachi northwards by train and by bus to Swat where the moustachioed Imran, a fellow student, had his family home in Mingora. Imran, like Baba, was completing his B.Com that year and planned to return to Swat to manage the Pine Cone Inn, a ramshackle guesthouse that his father owned in nearby Kalam. Presenting it as a reconnoitering expedition, a ‘case study’ for his fellow classmates to solve, Imran persuaded his father to allow the six of them to spend a few weeks at the Inn and use their recently acquired knowledge of business models to turn it into a profitable enterprise.
In 1900 Mirza Kalich Beg, celebrated as the first Sindhi novelist, translated a 13th-century Persian text called Chachnama into English. Ali Kufi, the author of Chachnama, in turn, claimed his work was a translation of an 8th-century work in Arabic. The English-language Chachnama is thus apparently twice removed from the ever-elusive original text, a rumoured book that deals with the conquest of Hindustan by Muhammad bin Qasim.
Balli Kaur Jaswal’s teasingly entitled and intricately plotted novel incorporates multiple storylines with elements of rom-com, mystery, and family saga. The main protagonist, Nikki, is a 22-year-old, single, independent-minded university drop-out in London. She lives alone above the pub where she works while she searches for her calling, and for love. In the way of adult children everywhere, she is breaking her parents’ hearts with her choices. But her parents are Punjabi immigrants to Britain, and so as well as negotiating all the usual intergenerational pitfalls, Nikki must also negotiate diverging cultural expectations, both between herself and her family, and also between herself and the wider Punjabi community.