Drawing on examples from Myanmar, Thailand, Malaysia, Indonesia and the Philippines, the authors discuss some aspects of sound in relation to their ethnographic context.
Brian Eyler isn’t a fan of dams, perhaps any of them, but at least not those that are, or may be, on the Mekong.
What is the modern in Southeast Asia’s architecture and how do we approach its study critically? This pathbreaking multidisciplinary volume is the first critical survey of Southeast Asia’s modern architecture. It looks at the challenges of studying this complex history through the conceptual frameworks of translation, epistemology, and power.
Malaysian-Chinese Yangsze Choo’s best-selling debut historical novel, The Ghost Bride was set in late 19th century Malaya with an immediately compelling premise: a young Chinese girl in is married off to a ghost.
The concept of “soft power”, popularized by Harvard’s Joseph Nye, has always seemed artificial. Power as wielded by nations is not neatly divisible into “hard” and “soft” categories. The great realist philosopher of power Hans Morgenthau identified the elements of national power as geography, natural resources, industrial capacity, population, military preparedness, national morale, the quality of government, and the quality of diplomacy.
This latest volume in the Series on Contemporary China published by World Scientific looks at the historical, geopolitical, and legal aspects of the ongoing disputes over the South China Sea and its islands, reefs, and rocks. Edited by Tsu-sung Hsieh, a retired Taiwanese navy captain and professor at the Ming Chuan University School of Law in Taipei, the book is composed of papers presented at the 2017 South China Sea Conference by scholars from Taiwan, China, the Philippines, and the United States.
Jurrick Oson is a big man, forty-six years old, with muscles bulging inside his bright purple sleeveless T-shirt. He was raised to work around nets, fish, tides, and weather, and his skin is leathery from a lifetime at sea. His boat had always been moored at the end of a dirt track, with shacks and small stalls on one side and the gently lapping sea on the other. It was a colorful, chaotic old vessel, painted in yellows, greens and blues, and she plied her trade as such boats had done for thousands of years.