This latest volume in the Series on Contemporary China published by World Scientific looks at the historical, geopolitical, and legal aspects of the ongoing disputes over the South China Sea and its islands, reefs, and rocks. Edited by Tsu-sung Hsieh, a retired Taiwanese navy captain and professor at the Ming Chuan University School of Law in Taipei, the book is composed of papers presented at the 2017 South China Sea Conference by scholars from Taiwan, China, the Philippines, and the United States.

Jurrick Oson is a big man, forty-six years old, with muscles bulging inside his bright purple sleeveless T-shirt. He was raised to work around nets, fish, tides, and weather, and his skin is leathery from a lifetime at sea. His boat had always been moored at the end of a dirt track, with shacks and small stalls on one side and the gently lapping sea on the other. It was a colorful, chaotic old vessel, painted in yellows, greens and blues, and she plied her trade as such boats had done for thousands of years.

 

Excerpted from Asian Waters: The Struggle Over the South China Sea & the Strategy of Chinese Expansion by Humphrey Hawksley

Although “Subjunctive Moods” is the name of the second of the stories in CG Menon’s debut collection, it is apt for the entire collection. In grammar (albeit less so and increasingly rarely in English), the subjunctive is used when a condition of uncertainty or conditionality prevails; “if I were the author,” for example, “I might have chosen just this title.” Even a slight perturbation in reality can result in a different verb conjugation or, as it is called, “mood”. Most of Menon’s protagonists are none “too steady on their feet”, as two of them say of themselves, whether literally or as an existential condition: if lives could be conjugated, these would be in the subjunctive.

Deborah Rogers was an influential literary agent in London. After her death in 2014, the Deborah Rogers Writers Award was established in her honor. Since literary agents thrive on finding talented new authors, the prize was set up to support authors as they finished their first novel. In 2016, UK-based Sharlene Teo won the inaugural prize with an extract from her work-in-progress, Ponti, set in her native Singapore.  The finished novel is now published by Picador.

The crisis of recent months between the majority Buddhist Burmese and minority Islamic group calling themselves Rohingya serves as a reminder that Myanmar (Burma) is not a unified country in the sense of one nation, one state. The central government’s overreaction to an increase in Islamic radicalization in some rural areas by the brutal expulsion of 600,000-plus souls across the border into Bangladesh—though violent and tragic—should not be mistaken as unique in Myanmar’s history.