Run Me to Earth opens in war-torn Laos in 1969. Three teens—Alisak, his friend Prany and Prany’s younger sister, Noi—freelance in a ruined French villa now serving as a makeshift hospital. They care for each other, ride motorcycles through obstacle courses of unexploded ordnance, and are looked after by, and look after, Vang, a young doctor who finds his own refuge in an abandoned piano and alcohol.
A rare and precious glimpse of pre-Khmer Rouge literature, Suon Sorin’s recently translated novel is set during Norodom Sihanouk’s Cambodia. Originally published in 1961, it harks back to the late colonial and post-colonial eras.
British writer EH Carr in his classic text on international relations, The Twenty Years’ Crisis: 1919 to 1939, argues that ideas of peace and cooperation between nations cannot stand up to the realities of international instability and competition. In Carr’s time the League of Nations was ineffectual in preventing a return to war in Europe. In Southeast Asia After the Cold War, Ang Cheng Guan using Carr as inspiration looks at ASEAN (Association of Southeast Asian Nations), an intergovernmental organization caught between China and the old, creaking superpower, the USA. Can ASEAN with the help of diplomacy and trade deals strike a balance between the two powers in the region or is military action inevitable?
Drawing on examples from Myanmar, Thailand, Malaysia, Indonesia and the Philippines, the authors discuss some aspects of sound in relation to their ethnographic context.
Brian Eyler isn’t a fan of dams, perhaps any of them, but at least not those that are, or may be, on the Mekong.
What is the modern in Southeast Asia’s architecture and how do we approach its study critically? This pathbreaking multidisciplinary volume is the first critical survey of Southeast Asia’s modern architecture. It looks at the challenges of studying this complex history through the conceptual frameworks of translation, epistemology, and power.
Malaysian-Chinese Yangsze Choo’s best-selling debut historical novel, The Ghost Bride was set in late 19th century Malaya with an immediately compelling premise: a young Chinese girl in is married off to a ghost.