What do you do with a gang of monks who have been condemned to death for immorality? If you are King Rama II of Siam (1809-24), you commute their sentences to hard labor, which consists of making them cut grass for your elephants every day. This is one example of the sometimes quirky humanity of the Chakri Dynasty, which, as royal houses go, is a relative newcomer, having been founded only in 1784.

Even if Philip Jablon had kept strictly to his original premise of documenting Thailand’s purpose-built movie theatres—an obsession he claims first took hold in 2008—this volume would’ve filled a worthy niche. From the book’s earliest temple of celluloid, Bangkok’s Prince Theatre from 1912, Jablon’s photographs capture a wealth of 20th-century architectural styles, from Bangkok’s tropical art deco Scala Theatre (built in 1969) to the brutalist Siri Phanom Rama Theatre (built in 1979) in Chachoengsao Province, each filtered through a distinct Southeast Asian sensibility.

While the late King Bhumibol Adulyadej is perhaps the figure most associated with the development of modern Thailand, two-time Prime Minister Anand Panyarachun has had a large influence on the country’s development. Anand stands out as an upstanding, liberal figure who steered well clear of corruption and scandals. As Thailand embarks on a new era under a new king, Dominic Faulder’s recent biography of Anand provides timely background.