Active in the 13th century, poet Matsuo Basho has been a cornerstone of literature globally since the late 19th century when the word haiku was used to cover traditional “haikai” and “hokku” (more about which further down). Largely due to 19th-century Realism, Western onlookers and practitioners have made much of direct personal experience in haiku; DT Suzuki, Allen Watts and the Beat poets in turn exaggerated the influence of Zen on haiku, lauding their depth of truth and presence. Haiku has since become the world’s most prevalent poetic form, with Basho the standard bearer.
A new anthology of Indian authors writing in, and translating into, English, Future Library: Contemporary Indian Writing creates a new sense of contemporariness on the Indian literary scene. This arrangement distinguishes the book from other anthologies of Indian literature which are for the most part organized around a linguistic binary: they are collections either of Indian writing in English or of Indian writing in regional languages English translation, while the project of anthologizing as a whole also seems to be restricted to English for it is difficult to recall any anthologies putting together regional literatures in a single volume.
This captivating translation assembles two volumes by Lu Xun, the founder of modern Chinese literature and one of East Asia’s most important thinkers at the turn of the 20th century. Wild Grass and Morning Blossoms Gathered at Dusk represent a pinnacle of achievement alongside Lu Xun’s famed short stories.
Power corrupts, so the saying goes. Award-winning author Li Peifu suggests there is more to it than that in his novel A Man of the Plains, now translated into English by James Trapp and retitled Graft.
Nobel laureate Gao Xingjian presents his primary concerns of the past decade or so. He indicts the lingering impact of ideology on contemporary literature and art, and for this reason calls for “a new Renaissance”, a result of which would be “boundary-crossing creations” such as the three cine-poems that he produced and describes in detail in this book.
Long related orally, the Sanskrit epic Mahabharata is believed to have been composed in written form between 300 BCE and 300 CE, the epic narrates the tale of greed and compassion between two clans, the Kauravas and the Pandavas, and has life lessons that transcend any particular civilization. The family feud over a kingdom speaks of sacrifice, love, lust, and enmity.
Osamu Dazai is one of Japan’s most celebrated modern writers. He was born in 1909, at the end of Japan’s era of rapid modernization known as the Meiji Period. He began writing as a high school student, moved by the suicide of the great Japanese short story writer, Ryonosuke Akutagawa in 1927.