Contemporary Chinese literature can sometimes be a bit of a struggle, whether due to heavy doses of politics or surrealism; the subject might be obscure or the author self-consciously literary. However worthy these works may be, it comes as something of a relief, then, that Su Tong—of Raise the Red Lantern fame—stuck to good, old-fashioned storytelling in Petulia’s Rouge Tin, a novella just out as a Penguin Special.

Despite, or perhaps because of, its relatively small size, Taiwan has had a turbulent and diverse history that has seen it endure dictatorship during the 20th century, Japanese colonization, and being a minor part of the Qing Dynasty. But before all this, the island, then known as Formosa, was the prize of a mighty struggle between the Dutch and a Ming Dynasty pirate-nobleman almost 400 years ago. Lord of Formosa—first published in Dutch in 2015—is the story of Koxinga, or Zheng Chenggong, the son of a Chinese nobleman and a Japanese woman, and how he won Taiwan from the Dutch.

Modern Tibetan literature has been rather hard to find, with the exception of religious and spiritual writings, and some poetry, notably Woeser’s Tibet’s True Heart: Selected Poetry, the only book of modern Tibetan poetry I have come across. Woeser has a short story in this new collection, and was the only Tibetan writer represented that I actually knew by name.

Jun’ichirō Tanizaki (1886-1965) was a major Japanese author and a finalist for the 1964 Nobel Prize for Literature. A prestigious award, the Tanizaki Prize, was established to honor his contributions to Japanese literature. Many of his works have been adapted for film. So, it came as a surprise that one of his novels discovered in a collection of his works had never been translated.