There are various translations of the Life of Milarepa available, but since Garma C Chang issued his translation of the Hundred Thousand Songs in 1962, there has been a gap of more than fifty years, and Tibetan Buddhist scholarship has made a great deal of progress over that time, which makes 2017 an ideal year for a new translation of this work.
On November 18th of this year, a blaze killed nineteen people in a textile manufacturing district of Beijing. Most of the victims were migrant workers, scores of whom continue to live peripheral lives in makeshift, pop-up neighborhoods on the outskirts of major cities across China. In response to the tragedy, the city government instituted a forty-day effort to demolish the capital’s “unsafe” buildings, the result of which has been mass evictions with tens of thousands of homeless migrant workers freezing in wintry Beijing temperatures. Described in official documents as the “low-end population”, these workers—battalions of couriers, cleaners, day laborers, trash collectors—provide the essential service jobs upon which Beijing’s more affluent residents rely.
For a number of logistic, commercial and territorial reasons, books rarely circulate much outside the market they were published in. Asian-published books can as a result often, regardless of merit, end up largely unknown outside a relatively small domestic market, something that goes in spades when the book was originally published in a language other than English.
Yeng Pway Ngon’s Unrest has a long journey. Originally published in Chinese, Unrest won the 2004 Singapore Literature Prize. It took the better part of a decade for the English translation to become available in an edition from Math Paper Press in 2012. This (according to a note on the legal page, evidently somewhat revised) edition is from Balestier Press and is, for the first time, generally available internationally.
Can the present save the past? Can the living save the dead? As South Korean author Han Kang revealed in a 2016 interview with the London-based magazine The White Review, these questions interested her during her twenties, only to resurface years later when drafting her novel Human Acts about the 1980 Gwangju Uprising and its aftermath. And they continue to resonate in her writing as evidenced by her most recent work The White Book.
This story is drawn from The Book of Swindles, a collection whose oldest known edition dates to 1617. The author, Zhang Yingyu, collected stories about swindles large and small that are mainly set in the highly commercialized and mobile world of late-Ming China.
Think hard; use your imagination. Try to remember the time when the world was not an oyster, with its pearl geolocalized on Google Maps, rated on TripAdvisor, its best sights already pre-dissected on The Lonely Planet and travel blogs. There was an era during which the world had not shrunk yet to a global playground easily explored with a smartphone and a wifi connection in hand or indeed, before planes, videos and even ballpoint pens. It was the epoch of explorers and discoveries, of years spent away from a home that less and less could be called as such. And this is the time during which Alfred Raquez wrote his travel journal, In The Land Of Pagodas, A Classic Account of Travel in Hong Kong, Macao, Shanghai, Hubei, Hunan and Guizhou.
Author Sangeeta Bandyopadhyay tackles the ultimate taboo in this clever novel which uses the metaphor of a mother abandoning her child to explore the artist’s struggle to fulfill the responsibilities of life as well as the demands of creativity.