So you’re planning a trip on the Silk Road. You’re looking for tips on what to take, routes, currencies, visas.
Contemporary Blue-and-White: Turkish Ceramics is an exhibition featuring some forty ceramics by by Mehmet Gürsoy and Nida Olçar, two award-winning contemporary Turkish artists. This is so-called “İznik pottery”; finely-decorated ceramics have been produced in İznik, the ancient Nicaea, since the last quarter of the 15th century.
The misdirection starts with the novel’s cover. Hasan Ali Toptas’s Shadowless is, in spite of its title, full of shadows.
The ancient Greek philosopher Heraclitus once observed that “seekers for gold dig much earth, but find little gold.”
The Circassian sounds like the name of a film; there’s more than enough material here for one. Eşref Bey, or Eşref Kuşçubaşı or any of the other names by which he went, played many roles in his life: brigand, family man, military leader, spy, rebel. He crossed paths if not quite swords with TE Lawrence—Lawrence of Arabia—with whom he is sometimes compared. But in spite of Eşref’s fame—or notoriety—information on him seems hard to come by in English; he does not even seem (at this writing) to have a Wikipedia page.
A few weeks ago in front of Lincoln Center in New York, while Women in The World Summit was about to start, a woman who seemed to like she could move mountains called Tina Brown was telling me, “I very much liked your description… What was it? ‘Having a sword fight with the ghosts’.”
Madonna in a Fur Coat has a backstory almost as long as the novel itself. “When it was first published in Istanbul in 1943,” wrote Maureen Freely, one of the two translators of the recent English-language edition, in the Guardian, “it made no impression whatsoever.”