The story of Alexander the Great has inspired conquerors and would-be conquerors throughout history. Alexander’s sweep through the Middle East and Central Asia left behind evidence of his mark on history—namely, in the several cities that he founded, and that sprung up to govern the kingdoms he left behind.
Colonialism
Opium’s role in the history of East Asia has been well-documented, most notably perhaps in Julia Lovell’s definitive 2011 book The Opium War. This, and others like it, deal with the issue mostly from the perspective of the consuming countries, in particular China; Thomas Manuel’s Opium Inc. is noteworthy in focusing just as much on the producer: India.
Alexander McCall Smith, of The No. 1 Ladies Detective Agency fame, has moved, literarily if not literally, from Africa and Scotland to Sri Lanka. He has placed the story of his latest novel The Pavilion in the Clouds, on the grounds of a tea plantation in colonial Ceylon.
Loyalty to family. Trusting instincts. The will to survive. These virtues are deeply embedded in a mature Dutch teenager, Annika Wolter. Her attributes prove useful as she navigates typical coming-of-age insecurities and a blossoming romance with a handsome lieutenant in 1939 Batavia, Java.
In the 11th-century Persian classic Book of Alexander, the great world conqueror goes to the farthest reaches of the world, only to have a wiseman show him what he was looking for, in a mirror—self-awareness. But as Edmund Richardson shows here in his powerful retelling of the life of Charles Masson, we do not live only to know ourselves. We are social animals and we care very much what others think about us. Alexander’s quest led, if not to gnostic knowledge, then to undying fame. Masson’s quest for Alexander’s lost city in the Hindu Kush ended in poverty and obscurity. What did Masson lack that other great explorers and archaeologists had?
In an essay in Open magazine in 2017, Roderick Matthews, a freelance writer who studied history at Balliol College, Oxford, criticized Shashi Tharoor’s book Inglorious Empire: What the British Did to India for its one-sided, wholly negative view of British rule in India.
History is commonly thought to be a subject about discovering the past in terms of exploring the origins and beginnings. Manan Ahmed Asif has previously written about resisting the need to look for beginnings and focusing on belonging.
George F Kennan believed that in examining the history of the 20th century, all the lines of inquiry led back to the First World War. Westerners tend to view the First World War through the narrow but compelling lens of the Western Front, but the war was truly global, in part because Britain, France, and other European powers had colonies and allies throughout much of the world. India then was the jewel in the British imperial crown, but as Umej Bhatia shows in his meticulous new book Our Name is Mutiny, the jewel was coming loose due to Indian nationalism and global jihadism, and for a brief moment the Indian revolutionary ferment exploded in Singapore.
Indology—a field of study about India’s history and culture associated with 19th-century British and German figures—had an interesting German-Dutch predecessor, Jacob Haafner (1754-1809). The man reached India as the servant of the VOC (or the Dutch East India Company) after having lived in South Africa and Java for a while. His travel-writing about India, vituperative views on colonialism and writings on missionary activity in India and the East in general made him unpopular among the Dutch elite whose help he desperately needed to be employed as a bureaucrat or to sponsor his writing.
Most book milestones are measured in time—six months to deadline!—or word count. For Nicholas Kitto, author of Trading Places: A Photographic Journey through China’s Former Treaty Ports, the pertinent metric was step count: in the process of searching out the subjects for his photographs, Kitto walked 2,784,010 steps in the course of fifty-one different journeys from his home in Hong Kong—which must have amounted well over a thousand miles on foot.
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