Opera Hong Kong chose Wolfgang Amadeus Mozart’s Die Entführung aus dem Serail for its annual summer semi-staged production at the Hong Kong City Hall, held 17-18 August 2025. The production, directed by Tang Xinxin and conducted by Michael Koehler, was sung in German with dialogue in English (and a large smattering of Chinese).
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Musica Viva has recently taken to doing a Mozart opera each year, and this year’s selection of Don Giovanni, when the composer was at the height of his powers, was at the other end of the scale from last year’s La Finta Semplice, written was Mozart was just twelve.
In a pair of school-day matinees on 25 and 27 May, Hong Kong’s Musica Viva—back in the operatic saddle as local Covid restrictions ease—presented an abridged version George Frideric Handel’s baroque masterpiece Giulio Cesare.
Written when the composer was just 12, Wolfgang Amadeus Mozart’s La Finta Semplice qualifies as a real rarity. After a performance the year following its composition, it dropped from the repertoire and was not staged again until modern times. That Musica Viva’s recent production at Hong Kong’s City Hall was a premiere seems beyond doubt, the only question being over how large a geographical area.
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