In his Akutagawa Prize-winning Cannibals, Shinya Tanaka doesn’t shy away from dark topics, dealing with crippling poverty, violence and sexual abuse in an often matter-of-fact way. Perhaps the author’s candor is part of the reason that Cannibals (a literal translation of the original Tomogui, though the original has a secondary meaning of ‘mutual destruction’) received Japan’s most prestigious literary prize, although it often walks such a fine line between the frank and the gratuitous that readers themselves may settle on either side in their own assessment.