Li Qingzhao (1084-1151 CE) is considered the greatest woman poet in Chinese history but, as translator Wendy Chen writes in her introduction, Li “remains relatively unknown in the West.” Chen, who first heard Li’s poetry as a child, is determined to help change this. The Magpie at Night is Chen’s translation of the Song-dynasty writer in a collection of poetry that feels both of its era but also carries a timeliness that renders Li’s poetry as accessible as it is moving.
Author: Melanie Ho
A young boy cracks open the front door and peers outside. The dark shadows from the roof and the trees give a foreboding sense of something to come. Three umbrellas sit neatly in their holder, right by the door. The boy goes out to play.
Sunny Seki opens his new children’s book, Hokusai’s Daughter, with Hokusai, the famous painter and printmaker from the Edo period, walking alongside his young daughter.
Like many stories, Amy’s begins long before she was born. Amy is an “all-American” young woman from Hawaii, but author Sherri L Smith and illustrator Christine Norrie start their graphic novel Pearl in 1886 in Japan, where Amy’s sosōbo (great-grandmother) is a pearl diver from Okinawa.
In the opening short story of Ouyang Yu’s short story collection The White Cockatoo Flowers, the main character of the titular story asks himself: “If I were in China now, I would be…” The line sets the stage for a collection of stories that explore what it means to become Australian and the tensions of being part of —or between—multiple cultures.
On a sunny day, a young girl skips in the courtyard of her home in Iron Gate Hutong. She’s alone, but across the alley life is busy.
When Ping arrives to live in New Zealand in the 1960s, the young mother from Hong Kong is expecting “paradise”. On her first night, Ping compares her new home with her homeland.
As the clock approaches 8 pm, a young boy hears the howling wind and believes it is asking him to come out and play. When his mother informs him that it’s bedtime, Ricky settles down for the night. The wind, however, does not.
It’s the Australian Mystery Writers’ Festival and debut author Ernest Cunningham is one of the participating writers. Cunningham arrives at the festival—hosted on the Ghan, the famous train that goes from Darwin to Adelaide—following the publication of his memoir Everyone in My Family Has Killed Someone (also, the title of author Benjamin Stevenson’s novel that first introduces Cunningham) and is, having signed a six-figure advance, now stuck trying to find an idea for a novel.
It’s the first day of a new school year and friends Pangolin and Slow Loris make their way along a jungle trail to meet their new teacher. They reminisce about the summer—Pangolin recalls an anthill exploding with larvae and eggs—before Mrs. Bat flies into the classroom to introduce herself.
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