Chinese bronzes produced from the latter part of the Song dynasty (12th-13th century) through the end of the Qing dynasty (early 20th century) have long been underappreciated and under-researched. The Metropolitan Museum of Art’s fine catalogue, Recasting the Past: The Art of Chinese Bronzes, 1100-1900 (accompanying the exhibition of the same name running through September 2025), authored by the exhibition’s curator Pengliang Lu, goes a long way to changing this situation.
Author: Paul Bromberg
The vast majority of silverware in Thailand does not possess any reign or maker’s mark or other indicator as to date or place of manufacture. Most of the marks found are Chinese “chop marks”, stamped onto the underside of the silver object, perhaps with the aim of validating authenticity. Sometimes, the Chinese characters were transliterated into Thai from the Chaozhou dialect although this never became common practice.
You must be logged in to post a comment.