Those hoping that a book called Venice and the Mongols would be a deep-dive into everything Marco Polo will be disappointed, for that most celebrated of Venetians warrants only a single chapter. Authors Nicola Di Cosmo and Lorenzo Pubblici focus rather more on Venice’s forays—commercial and territorial—into the Black Sea, where they ran up against the Mongols in Crimea. After the Fourth Crusade and the Mongol’s westward conquests, “The Pontic area,” write the authors, “became a common space, a nexus between Asia and Europe” at what was respectively the western- and eastern-most expansion of each.
Author: Peter Gordon
Those who know other volumes in the “History in Objects” series from Thames & Hudson and the British Museum will find much that is familiar in this latest one on Japan: a wide and often eclectic collection of objects well-displayed on pages balanced with bite-sized yet informative blocks of text.
Historians are usually loath to ask “what if?”, but in The War That Made the Middle East: World War I and the End of the Ottoman Empire, Georgetown’s Mustafa Aksakal gets close.
Painters, Ports, and Profits: Artists and the East India Company, 1750-1850 is the accompanying volume to an eponymous exhibition at the Yale Center for British Art which places painters, local and foreign, working in India and China in the context of the commercial and colonial operations of the East India Company.
The importance of archaeological developments can take a long time to register in the general public consciousness. This is perhaps because excavations take years, results are often published long after the work begins, the significance is not immediately apparent, or conclusions are denied when they run counter to conventional narratives. Keeladi, near Madurai, is a site discovered a decade ago; its significance was appreciated pretty quickly in Tamil Nadu, where it is located, but has rather flown under the radar internationally.
“The goal of this book”, writes Rian Thum in his introduction, “is to reach an understanding of Islamic Chinese history that makes the Muslims of China unsurprising, even ordinary.” The layman who has visited, say, Xi’an, might be surprised that this should be deemed necessary.
Due, one presumes, to the success of his first photo-album matching images of yesteryear with their current appearance, Macau-based photographer Gonçalo Lobo Pinheiro has returned with an encore.
Back in the (pre-EU) day, the American Government and US corporations would place Greece into a Middle Eastern or Near Eastern department; I seem to recall my 1980s-era employer doing so, to the (mild) annoyance of its Greek distributor. Europe was more tightly-defined in those days.
V Vinicchayakul, the pen-name of Vinita Diteeyont, is prolific by any measure, reportedly with more than one hundred novels under her belt, many adapted for television and film. Only a very few have made it into English; had not she been championed by translator Lucy Srisuphapreeda, perhaps none would have been.
That translator Dong Li calls Chinese poet Ye Hui “metaphysical” in his introduction to The Ruins—a characterisation repeated in the book’s marketing material—might seem challenging, but in the fact the poems, while not exactly straightforward or immediately obvious, are—for most part—eminently accessible and interesting.
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