The Omani literary scene is currently flourishing, led by authors such as Jokha Alharthi, whose Celestial Bodies won the International Booker in 2019: she provides a foreword to this collection by Hamoud Saud, another prominent Omani writer. He writes in Arabic, and he has already been translated into Azerbaijani, Japanese, and Spanish. In his translator’s introduction, Zia Ahmed describes Saud as: “a teller—qās in Arabic—of short stories, memoirish vignettes, prose poems, and other strange sketches that defy easy categorization.”
Author: Rosie Milne
Palestinian poet, novelist and commentator Bassem Khandaqji wrote his latest novel, A Mask the Color of the Sky while in an Israeli prison. Any prisoner, anywhere, who manages to write a novel while incarcerated must be commended for persistence, dedication and focus; this one won the 2024 International Prize for Arabic Fiction. His novel is now available in English, translated by Addie Leak.
Saleem Haddad was born in Kuwait in 1983, of an Iraqi-German mother and a Palestinian-Lebanese father, whose own mother, a Christian, was displaced to Beirut at the formation of Israel. He was raised between various countries, including Jordan, Canada, and the United Kingdom. Before he published his first novel he worked as an aid worker with Doctors Without Borders in conflict zones from Yemen to Syria and Iraq. He is also queer. Various biographical strands thus combine to make him more qualified than most to explore the maxim: the personal is political.
The Sharjah International Book Fair (SIBF) is a literary festival and cultural event for the general public, but it is preceded each year by the Sharjah Publishers Conference, a rights marketplace and networking opportunity for publishers from around the globe.
Malay folklore is peopled—if that’s the right word—with a variety of supernatural beings, ghosts, and spirits, which reflect cultural anxieties, historical beliefs, and the blending of animistic traditions with Islamic, Indian and Chinese influences. Given this tradition has been a fundamental part of local storytelling for centuries, it’s unsurprising that horror is a staple of the Malaysian film and publishing industries. Malay-language horror movies often outperform Hollywood blockbusters in the domestic market, and locally published horror fiction is popular, in both English, and Malay.
Naguib Mahfouz (1911-2006) was an Egyptian novelist, short-story writer and screenwriter. He spent his entire life in Cairo, the setting for almost all his fiction. He is best known for The Cairo Trilogy— Palace Walk (1956), Palace of Desire (1957) and Sugar Street (1957)—which follows succeeding generations of a Cairene family, the Abd al-Jawads, from World War I until the Egyptian revolution of 1952. In 1988, Mahfouz became the first, and so far, the only, Arab writer to be awarded the Nobel Prize in Literature.
A fluent Arabic speaker, Justin Marozzi has spent much of his career as a journalist and author trying to understand the Middle East through an historical lens. His earlier books include Islamic Empires, a history of Islamic civilisation told through some of its greatest cities, and Baghdad: City of Peace, City of Blood, which won the 2015 Royal Society of Literature’s Ondaatje Prize.
Bornean-Australian novelist, playwright, poet, rapper and visual artist Omar Musa comes with a bit of a pedigree. His debut novel Here Come the Dogs was long-listed for the International Dublin Literary Award and for the Miles Franklin Award. He was named one of the Sydney Morning Herald’s Young Novelists of the Year in 2015.
Few cities in the world can be as unknown to outsiders as Sana’a, the capital of Yemen, and The Book of Sana’a is the first major collection of Yemeni fiction in translation.
Singaporean debut author Malcom Seah is a writer of originality, scope and ambition, who is unafraid to take on challenging issues, ranging from eating disorders, to sexual abuse, to the complexities of coming out in a conservative society. He is skilled at plotting, marrying his intricate and intriguing plot with elements of experimental fiction.
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