Now available in an English translation by Jesse Kirkwood, Sanaka Hiiragi’s The Lantern of Lost Memories, a story set in a photography studio that belongs in a space between the world of the living and the afterworld, is the most recent example of Japanese “comfort fiction”.
Author: Susan Blumberg-Kason
Bernie Wong was born in Hong Kong in 1943, but her story begins in South America. Her mother, Virginia Chia, was born and raised in Huacho, Peru, to a father named Carlos Chia, who had come from China to run a shipping business in South America, and a mother named Cristina Salinas who was half-Chinese and half-Basque and relished her role as a socialite more than that of a mother. Virginia’s parents split up while she was still a young girl, after Cristina discovered that Carlos had another wife and family back in China. Cristina kicked him out and had their marriage annulled.
The island of Sri Lanka resembles a teardrop, also the title of Sue Amos’s latest novel, set in 1953 when the country was still called Ceylon. Teardrop is a murder mystery that weaves in both folklore and the beauty of the island.
In 1930, a Filipino immigrant named Fermin Tobera was shot and killed by white men in Watsonville, California, an all-too-common and mostly unpunished hate crime in the US at a time when they weren’t even labeled as such. Randy Ribay uses this period and this murder as the starting point in his new young adult novel Everything We Never Had, which spans four generations of teenage boys in the fictional Maghabol family, covering major historical events in Filipino American history, including violence against Asian agricultural workers in California, labor organizing, exiles from the Marcos years, and anti-Asian hate crimes during the COVID pandemic.
Identical and inseparable twin sisters, Roya and Tala live in Tehran. When they fall pregnant around the same time, they dream of going through the same motherhood milestones together and raising their kids together, yet a freak accident destroys these dreams in a matter of moments. This is the backdrop of Nahid Rachlin’s latest novel, Mirage, a psychological thriller that reflects life in contemporary Iran.
Gerda Philipsborn, Jewish and a part of the 1920s Berlin arts scene, developed a close friendship with a trio of Muslim Indian students. A decade later, she would move to India to join her friends at Jamia Millia Islamia, a university in Aligarh that was established in 1920 to boycott the colonial government’s educational institutions. Margrit Pernau’s captivating biography shows how Philipsborn ended up in India just before Hitler came to power in Germany. However unlikely the story may seem, Pernau provides a comprehensive narrative of the political movements and openness of 1920s Berlin that explains just how Philipsborn came to spend her final years at Jamia Millia Islamia.
Paul Bevan is the one of the most prominent scholars of early 20th-century Shanghai and it’s thanks to him that English language readers have learned of the contributions of Chinese illustrators, writers, publishers and other artists in late-Qing and Republican-era Shanghai. A few years ago, he translated a novel titled The Adventures of Ma Suzhen: An Heroic Woman Takes Revenge in Shanghai. This novel was originally written in the early 1920s, but takes place several decades before that.
Maaria Sayed is an Indian filmmaker whose experience ranges from London and Italy to South Asia and Korea. Her debut novel, From Pashas to Pokemon, is a delightful coming of age story largely set in a Muslim neighborhood of Mumbai and, as the title implies, traverses both old and new. The story follows a young woman named Aisha from her childhood on Muhammad Ali Road to her student years in the UK and back in Mumbai in her mid-twenties.
Thirty years ago, Nicholas Kristof and Sheryl WuDunn published their first book, China Wakes, to critical acclaim. The couple wrote of their five years reporting about China for The New York Times from 1988 to 1993. Other journalists reporting on China have followed suit and we’ve seen books by Jan Wong, Mike Chinoy, Frank Langfitt, Dori Jones Yang, Rob Schmitz, Lenora Chu, and Karoline Kan, among others. There is also the Peace Corps cohort of Peter Hessler and Michael Meyer, who went on to become journalists and write about China. These books have brought China to readers who are both familiar with the country and who are just starting to learn about it, and in most cases, these journalists chose to write about a certain city, region, or period.
Tracy O’Neill was adopted from South Korea in the 1980s and never thought to search for her birth mother until 2020 when the world seemed to stop. She had just landed a tenure-track position at Vassar and had broken up with a long-term boyfriend. With more time on her hands—teaching online and not leaving her new apartment much—she had the desire to find her birth mother in Korea. The story of her search, discovery and meeting her mother is the subject of her third book, Woman of Interest. This is hardly the first adoption memoir, but O’Neill is a writer of some pedigree with a couple of novels under her belt, which perhaps explains why her memoir at times reads like a thriller and does so right at the beginning.
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