Sir Sam Cowan worked with Gurkha soldiers for many years in Nepal but also in Malaya, Singapore and Borneo, eventually becoming Colonel Commandment of the Brigade of Gurkhas and the Chairman of the Gurkha Welfare Trust. In this capacity he interacted with several of Nepal’s key players, including King Birendra and King Gyanendra. After retirement from the army, Cowan started researching and writing articles on Nepali history. This new book brings together a selection of his more popular and important articles in Maharajas, Emperors, Viceroys, Borders: Nepal’s relations North and South.
In what ways can or should art engage with its social context? Authors, readers, and critics have been preoccupied with this question since the dawn of modern literature in Korea. Advocates of social engagement have typically focused on realist texts, seeing such works as best suited to represent injustices and inequalities by describing them as if they were before our very eyes.
If Wong Kar-wai were to write a screenplay for a post-Handover story, along the same lines as his classic films set in the 1960s and 1990s, it might look like Sheung-King’s new novel, Batshit Seven. The pen name of author Aaron Tang, Sheung-King writes a raw and gritty story of a twenty-six year old called Glue—the amalgamation of Glen Wu—who has recently returned to Hong Kong after spending seven years in Toronto to studying acting at university and starting, but not finishing, an MFA in program in creative writing.
What does Mongolia bring to mind? Maybe Genghis Khan. It’s in central Asia somewhere, isn’t it? Unless you’re a fan of sumo wrestling, that’s likely to be about the extent of your associations. Johan Nylander sets out to correct that, at least with respect to Mongolia’s economy, with his The Wolf Economy Awakens. It’s a cruise through Mongolia’s economic situation, and especially its economic future.
Given Amin Maalouf’s Lebanese origins, one might suppose that the Antioch in the title refers to the Levant, but it is in fact a small island, part of an isolated archipelago off France’s Atlantic Coast. (The French title, Nos frères inattendus, “Our unexpected brothers”, telegraphs the story better). Alexandre, a French-Canadian cartoonist, shares the island with Ève, a novelist who had one cult hit years before and who has retreated into isolation; they rarely if ever see each other.
On 27 July 1827, the dey of Algiers struck the French consul over his country’s refusal to pay back its debts–specifically, to two Jewish merchant families: the Bacris, and the Busnachs. It was an error of judgment: France blockaded Algiers, and later invaded, turning Algeria into a French colony. The unpaid debt has festered as a diplomatic issue for almost 30 years. Foreign consuls in the corsairing capital of Algiers sent missives back to their superiors complaining about the Bacris and Busnachs and the doggedness they had in pursuing their debts.
A subtle interaction between the human mind, muscle and matter produces music. Over the centuries, these interactions change, as instruments come and go out of favor and the role of music and musicians evolve. A well-documented tradition like Turkish art music (or Ottoman classic music) exhibits a bewildering variety of innovations over its 500 year history. Walter Feldman’s augmented and revised version of his 1996 work tracks these innovations and shows how this art form has both preserved its heritage and renewed it.