Lew Paper’s new book In the Cauldron charts the diplomatic road to Pearl Harbor, mostly through the eyes of the then-US Ambassador to Japan Joseph Grew. Paper portrays Grew as a voice crying in the wilderness, showing the way to peace when everyone around him in official circles in both Japan and the United States drifted towards war.
In 1935, Ruth Day paid a six-week visit to her mother and step-father who were at that time living in Shanghai. When she returned, she published a short book on the trip. The book had a run of just 200 copies and seems to have quickly disappeared—but at least one copy found its way to the New York Public Library, where it was found by then PhD candidate Andrew Field, who contributed an introduction to its republication.
From popular genre films to cult avant-garde works, this book is an essential guide to Japan’s vibrant cinema culture. It collects two decades of the best of Mark Schilling’s film writing for Variety, Japan Times, and other publications.
In the dead of winter, a Frenchman arrives at a small guest house in Sokcho where Franco-Korean author Elisa Shua Dusapin’s narrator works in a dead-end job as receptionist and run-about. Sokcho is a nondescript seaside town not far from the North Korean border. In the summer, Sokcho is a beach resort, if not the most upmarket; in winter, there is not much going on.
The Philippine economy has, relative to both its history and many other parts of the world, seen something of a recent boom. Yet although the poverty rate has plunged by about a third in the three years to 2018, Filipinos leaving their country for a future abroad still abound. Longtime New York Times reporter Jason DeParle explores global migration through a tightly-woven biography of a Filipino migrant family in A Good Provider Is One Who Leaves: One Family and Migration in the 21st Century.
A rare and precious glimpse of pre-Khmer Rouge literature, Suon Sorin’s recently translated novel is set during Norodom Sihanouk’s Cambodia. Originally published in 1961, it harks back to the late colonial and post-colonial eras.
Amber Scorah’s time in Shanghai was not the typical expat sojourn. “Revolutions do not come without violence,” she writes in her new memoir. “If I hadn’t come to China, I would never have even noticed. Somehow, in one of the most restrictive places in the world, I had found freedom.”