The first half of May was been a busy fortnight for opera in the Greater Bay Area. The renowned Chinese soprano He Hui sang her first Wagner role, Senta in Der fliegende Holländer, at the Guangzhou Opera House on 5 and 7 May, a dramatic move (literally and figuratively) away from the Verdi and Puccini heroines for which she is best known.
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2019 has been a standout year for Chinese soprano He Hui: the debut of three new roles; a successful run at the Met, including her debut Met Live in HD performance in Madama Butterfly and her 15th consecutive year (a first for a soprano) of singing at the Arena di Verona. And this weekend, He comes full circle as she returns to the Shanghai Grand Theatre, where she made her operatic debut in 1998, to perform Turandot, the Chinese princess of Puccini’s opera of the same name.
Chinese soprano He Hui made her Metropolitan Opera “Live in HD” debut on 9 November in the lead role in Giacomo Puccini’s Madama Butterfly. This might not be quite the first time a Chinese singer has the lead in one of these international broadcasts—but then again, it might be—but it is still an extremely rare occurrence and worthy of note.
Macau’s 2019 was ushered in by a New Year’s Eve concert headlined by Chinese soprano He Hui who sang selections from Italian composers Puccini, Verdi, Catalani and Cilèa.
A renowned Madama Butterfly and the first Chinese soprano to sing Tosca at La Scala and Aida at […]
That He Hui chose to open her concert, part of a 20th career anniversary tour of China, with Adriana Lecouvreur’s first act aria from Francesco Cilèa’s eponymous opera says everything one needs to know about this Chinese soprano’s attitude towards her art.
Opera travels well. Its stories are the stories of our collective humanity—love, loss, revenge, strife, rebellion, rejuvenation, absurdity, tragedy—and its archetypes not only define cultures but also connect them. In many respects, we can no longer speak in essentializing ways about Western opera or Chinese opera, but rather must address the world of opera and global operatic voices.