After viewing American painter Agnes Martin’s “Untitled IX, 1982”, a work of irregular, horizontal pencil lines that are nuanced and experimental, with a subtle hue of pink underneath, poet Victoria Chang was moved to contemplate the struggle to embrace or appreciate her racial identity: “To be an Asian woman is to be seen as night… Some people assume Asian women are made of flowers, but some of us are made of lines.”
Author: Jennifer Wong
Deeply experimental, creative and thought-provoking, From From by leading Korean-American poet Monica Youn, looks at the complexity of race through myths, history and popular culture, comparing the ways “otherness” is seen in both East Asian and Western cultures and norms. Through these complex, original and tragic-comic poems, the poet explores the deep roots of human fear or hysteria against other bodies.
Filled with memorabilia, photos and interviews, Berlin-based artist, critic and writer Xiaowen Zhu’s bilingual book Oriental Silk documents a Chinese-American family’s migration story. Tracing Ken Wong’s family past and cultural journeys, from his parents’ childhoods in China to their eventual relocation to the US and ultimately a flourishing business, Zhu reveals the dreams, hopes and struggles of the migrants in the Chinese diaspora.
In order to think about what it means to be a Hong Kong poet, one must first think about Hong Kong itself. It was famously labelled a borrowed place on borrowed time: it may since been returned, but if anything, Hong Kong can at times seem less permanent than ever, and Hong Kong poets have lived through transitions, particularly in the last two decades.
A prominent, activist Asian-American poet, writer and professor, Cathy Park Hong’s first non-fiction book, Minor Feelings, is a bold and essential collection of essays that questions the racial identity of Asian-American immigrants and the problem of stereotypes that obstruct mutual understanding between the white and non-white population in the US.
Imbued with nostalgia, hunger and multilingual memories, Magnolia, 木蘭 is a refreshing debut collection by Nina Mingya Powles, a poet of Malaysian-Chinese heritage from New Zealand currently residing in London. Shortlisted for the Forward Prize, the book chronicles a mixed-race woman’s myriad perspectives on her cultural heritage, language and her border-crossing journeys.
Born in Hong Kong and raised in Portland, Marilyn Chin is one of the most celebrated contemporary Chinese-American poets. Winner of the 2020 Ruth Lilly Poetry Prize, her collections include A Portrait of the Self as Nation (2018), Hard Love Province (2014), Rhapsody in Plain Yellow (2002), Dwarf Bamboo (1987) and The Phoenix Gone, The Terrace Empty (1994, 2009) alongside a novel, Revenge of the Mooncake Vixen (2009). Also a translator, she has translated poems by the modern Chinese poet Ai Qing and co-translated poems by the Japanese poet Gozo Yoshimasu.