Maung Shwe Yon was a highly acclaimed 19th-century master silversmith from Rangoon. Harry L Tilly, the aforementioned British expert on Burmese art, was effusive in his praise for Maung Shwe Yon. He described one of his pierced bowls as ‘the best example of this kind of work ever produced’ in his 1902 monograph, The Silverwork of Burma.
It’s hard to say with certainty how hyper-realism found its way into Indian painting. The sharp eye and curiosity of the first Mughal emperor, Babur, is said to have inspired painters to record nature with microscopic exactitude.
There is no earthly reason to write about the new off-Broadway musical Romeo & Bernadette except that it’s very clever. Mark Saltzman has repurposed some 300 hundred years of Italian song—Giordani through de Curtis with side trips via Rossini, Bellini, Leoncavallo, Cannio and Falvo—as songs and lyrics of a thoroughly modern (albeit 1960s-retro) musical.
In his 1978 work Orientalism, Edward Said accused Western artists and intellectuals of instrumentalising their perception of the Islamic world to support the narrative of Western dominance and colonialism. The British Museum’s show of Orientalist painting from the Islamic Arts Museum Malaysia, allows us to evaluate the truth of Said’s statement.
Connoisseurship is an elusive concept. What makes wealthy and refined collectors tick? Where does their obsession for the object come from? The Gulbenkian Foundation in Lisbon celebrates the 150th birthday of founder Calouste Gulbenkian’s birth with a show “A Gosta pela Arte Islâmica” that tries to answer those questions.
It seems somewhat surprising that not a single one of Leonardo da Vinci’s several thousand drawings had ever been exhibited in Hong Kong, but that was apparently the case until the opening of the “Art and Science, Then and Now” exhibition, running at the City University of Hong Kong Exhibition Gallery through 15 December.
When psychedelic rock music came to Southeast Asia via American GIs during the Vietnam War, it greatly influenced the music scene in Cambodia. Cambodian Rock Band, a new play running in Chicago through May 12 celebrates this resulting music that not only abruptly went away in 1975, but for the most part hasn’t been performed since then. Playwright Lauren Yee centers her story around the interaction of fictional band called The Cyclos with the very real person who directed the terror of the Tuol Sleng torture center, a former school that was converted in a prison during the reign of the Khmer Rouge. Only seven people survived Tuol Sleng.