We all belong somewhere: a place of our birth, the origin of our being. But there are those who belong to nowhere, an existence without a motherland, or circling in-between, as if in bardo. The Tibetan Suitcase is a story of the peripatetic life of the protagonist, an Indian-born Tibetan.
In a society rife with conflict and a world on the edge of extinction, who should we turn to for answers: society’s strongest or weakest? This is the question Takuji Ichikawa, one of Japan’s most imaginative and unusual authors, poses in The Refugees’ Daughter, a magical modern parable for our troubled times.
At the dawn of the Ming Dynasty, the emperor will do anything to ensure the future of his empire. Building the Forbidden City in fulfillment of his father’s dreams is only the beginning. But few people share the emperor’s vision.
Cheng-Ming, a Taiwanese American, rummages through the used-book stalls and market bins of Taipei. His object is no ordinary one; he’s searching obsessively for accounts of ghosts and spirits, suicides and murders in a city plagued by a rapist-killer and less tangible forces. Cheng-Ming is an outsider trying to unmask both the fugitive criminal and the otherworld of spiritual forces that are inexorably taking control of the city.
The Foley Artist: Stories is the much-awaited debut by Ricco Villanueva Siasoco—an incisive, probing work for fans and readers of the Filipino America brought vividly to life in the fiction of Elaine Castillo and Mia Alvar.
Wild Boar in the Cane field introduces a world of magic realism, in which a fly-covered baby girl, Tara, is found and raised by two mothers in a community rife with rituals and superstition. As she grows, Tara pursues acceptance at all costs. Saffiya, her adoptive mother, and Bhaggan, Saffiya’s maidservant, are victims of the men in their community, and the two women, in turn, struggle and live short but complicated lives. The only way for the villagers to find solace is through the rituals of ancient belief systems.
Nainai has lived in Shanghai for many years, and the time has come to find a wife for her adopted grandson. But when the bride she has chosen arrives from the countryside, it soon becomes clear that the orphaned girl has ideas of her own. Her name is Fu Ping, and the more she explores the residential lanes and courtyards behind Shanghai’s busy shopping streets, the less she wants to return to the country as a dutiful wife. As Fu Ping wavers over her future, she learns the city through the stories of the nannies, handymen, and garbage collectors whose labor is bringing life and bustle back to postwar Shanghai.