Nobel laureate Gao Xingjian presents his primary concerns of the past decade or so. He indicts the lingering impact of ideology on contemporary literature and art, and for this reason calls for “a new Renaissance”, a result of which would be “boundary-crossing creations” such as the three cine-poems that he produced and describes in detail in this book.
This study identifies the latent and emergent drivers behind the mounting acrimony in South Asia—notably, India’s ambitions as a “rising power” coupled with the resurgence of China and Pakistan’s strategic anxiety as the United States unmoors itself from Afghanistan and embraces India. India is similarly concerned as China advances its Belt and Road Initiative (BRI) across the region, developing a network of economic and strategic hubs and bringing India’s neighbors into China’s embrace through its strategy of peripheral diplomacy.
Ships in the Desert is a collection of linked essays that seamlessly incorporates elements of memoir, travel writing, and literary journalism in a series of vivid vignettes that are both intimate and wide-ranging.
This study examines the role of the soul (hun) and the soul-summoning ritual in Chinese literature from ancient times up to the twentieth century. With five case studies from different dynasties, spanning ancient Chu and the Han, Tang, Song, and Ming-Qing transition periods, Chinese Poetry as Soul Summoning shows Chinese poets were inspired by the belief in a soul that could be transported away from the body.
In pre-contemporary China, folk epics performed at village level helped to construct a sense of regional as opposed to national identity. This is the first book-length study in the West on the folk epics of the Han Chinese people, who are the majority population of China. These folk epics provide an unparalleled resource for understanding the importance of “the local” in Chinese culture, especially how rice-growing populations perceived their environment and relational world.
Indebted to the docupoetics tradition, Raena Shirali’s summonings investigates the ongoing practice of witch (“daayan”) hunting in India.
While the loss of sight—whether in early modern Japan or now—may be understood as a disability, blind people in the Tokugawa period (1600–1868) could thrive because of disability. The blind of the era were prominent across a wide range of professions, and through a strong guild structure were able to exert contractual monopolies over certain trades. Blind in Early Modern Japan illustrates the breadth and depth of those occupations, the power and respect that accrued to the guild members, and the lasting legacy of the Tokugawa guilds into the current moment.
