This is Rapatahana’s seventh collection of poetry. He writes in both of his main languages te reo Māori and English. Divided into five sections, these poems reflect Rapatahana’s strongly visceral style, whereby he confronts all manner of demons, ranging from intensely personal through to strongly political. His locales are international, with poems describing issues across the globe, although based primarily in Asia and Oceania.
I’ve always found the term “chapbook” off-putting. You’d think poets, being poets, could come up with a better word for what is a shorter-than-normal collection, as prose people did with “novella”.
The debut poetry book from Chinese-American writers Judy Choi and Phoenix Brown.
Using the 2014 Scottish referendum to separate from the UK as a touchstone, this book examines the fluidity of identity and tensions regarding languages and belonging in a modern, global world where peoples, ideas and cultures migrate and interact on a scale never before seen in human history.
All the world may indeed be a stage, but a poet’s world consists of words. Nashua Gallagher’s debut collection of verse resonates with themes of coming of age in Hong Kong and other parts of Asia, and is set in a belovedly re-imagined yet elusive “home” with a cast of friends, family, poets and others. Her work traverses tender recollection, wry observation, and candid commentary on the road to love, motherhood, identity, relationships, and the many entanglements of modern living.