Poet and dancer, Tishani Doshi’s latest book, Small Days and Nights, released April 2019, narrates the story of Grace (half-Italian, half-Indian), who moves from the US to India, owing to the passing away of her mother. Her life unravels when a house is bequeathed to her, in a village by the sea, and she meets Lucia, a sister, she never knew she had. While Doshi’s last book, Girls are Coming Out Of The Woods, was a poetry collection that evoked feelings of resilience, fear, pain and wonder, her latest novel takes the reader deeper into the realms of familial relationships, loss, endearment and rebirth of emotions that get buried through time and distance.
In 1942, Jewish refugee Max Faerber opened Paragon Book Gallery in Shanghai. Faerber had worked for a newspaper in Vienna before he fled the Nazis for the brighter shores of Shanghai. During his first few years in China, Faerber put his newspaper skills to use and managed a German Jewish newspaper, one of many publications produced in the refugee communities in Shanghai. But when the Japanese occupied the whole of Shanghai in December 1941, Max looked for another profession. He turned to bookselling.
Hong Kong’s year in books: fiction, film, politics, children’s books, photography, history, botany.
How did Asia fare in the “Best Books” sweepstakes of 2019? This is partly keeping score, but there are also undoubtedly many excellent recommendations and hidden gems in these many lists.
This year’s subjective list of books we thought worthy of particular mention over the past 12 months. Fiction (in translation and not), poetry, short stories, essays, history, biography, literature, culture, politics, society, journalism, children’s books covering Asia from the Pacific to the Mediterranean, from Siberia to India.
2019 has been a standout year for Chinese soprano He Hui: the debut of three new roles; a successful run at the Met, including her debut Met Live in HD performance in Madama Butterfly and her 15th consecutive year (a first for a soprano) of singing at the Arena di Verona. And this weekend, He comes full circle as she returns to the Shanghai Grand Theatre, where she made her operatic debut in 1998, to perform Turandot, the Chinese princess of Puccini’s opera of the same name.
Chinese soprano He Hui made her Metropolitan Opera “Live in HD” debut on 9 November in the lead role in Giacomo Puccini’s Madama Butterfly. This might not be quite the first time a Chinese singer has the lead in one of these international broadcasts—but then again, it might be—but it is still an extremely rare occurrence and worthy of note.