Sati Mookherjee’s grandfather was arrested 17 years before India gained independence and went into exile in the UK. He returned to India in 1939 when England entered World War II. Mookherjee’s debut, Eye, based on her grandfather’s memoirs, is not a traditional collection of poetry, but rather a series of just three poems that give a vivid sense of his experiences during this historic era.

Most people tend to mark the beginning of Indian international relations thought to Nehru, and his self-proclaimed attempt to build a true non-aligned movement and more enlightened international system. But Indian thought didn’t emerge sui generis after Indian independence, as Rahul Sagar notes in his edited anthology, To Raise a Fallen People: The Nineteenth-Century Origins of Indian Views on International Politics.

Earlier this year, the Bulletin of the Atomic Scientists estimated that India has 160 nuclear warheads that can be delivered by aircraft, land-based ballistic missiles, and sea-based ballistic missiles—a small nuclear triad. How and why India developed nuclear energy and weapons programs in the midst of the Cold War is the subject of Jayita Sarkar’s fascinating and revealing book Ploughshares and Swords

Was Prince Siddhartha’s wife Yasodhara so awful that he felt compelled to renounce everything to get away from it all? So runs, at least, a misogynistic joke about the story of Buddha’s life and Enlightenment. The question remains, however, and in recent times, this story has been revisited in fiction to imagine the circumstances that could have led to his departure from worldly affairs.

On 16 June 2020, Indian and Chinese forces clashed high in the Himalayan mountains in Aksai Chin. Beijing and New Delhi both claim control over this remote region in a territorial dispute dating back decades. Sources differ on how many soldiers died in the skirmish, fought with fists and clubs rather than guns, with the potential dead ranging into the dozens.

Mansi Choksi’s The Newlyweds is an investigative journey into the lives of three young couples, who, to be together, defy conventions of caste, religion and sexuality. These individuals belong to small towns and villages—home to almost 70% of India’s current population—often growing up with strict moral codes and duties towards their families and communities. Choksi documents their journeys as they break traditional barriers, trying to understand and showcase if love really survives the ordeals that follow.