Indian poet-diplomat Abhay K is out with a larger collection of Indian poetry combining his earlier anthologies of a hundred poems each. The resulting book is The Bloomsbury Anthology of Great Indian Poems covering English poetry as well as English translations of poems written in 28 Indian languages.
The United States of India shows how Indian and American writers in the United States played a key role in the development of anticolonial thought in the years during and immediately following the First World War. For Indians Lajpat Rai and Dhan Gopal Mukerji, and Americans Agnes Smedley, WEB Du Bois, and Katherine Mayo, the social and historical landscape of America and India acted as a reflective surface. Manan Desai considers how their interactions provided a “transnational refraction”—a political optic and discursive strategy that offered ways to imagine how American history could shed light on an anticolonial Indian future.
“Dissatisfaction with the womanly rôle,” the psychologist Alfred Adler wrote in Understanding Human Nature (1927), “is … more evident among [women] who escape from life because of some so-called ‘higher reasons’. Nuns, or others who assume some occupation for which celibacy is an essential, are a case in point.” Adler, of course, was not judging such women negatively, as he felt that women should not have to be controlled by the patriarchal nature of 20th-century society and that they should be able to develop their own roles.
If you fancy a lost weekend of drink and drugs, Low, the third novel from poet and musician Jeet Thayil, is for you.
The first two decades of the 20th century saw the emergence of urbanism in sociology and philosophy: Georg Simmel wrote about the metropolis and mental life, and Walter Benjamin penned portraits of Western cities like Paris and discussed the work of Charles Baudelaire and Edgar Allan Poe in the context of the flâneur, the dandy who roamed the streets to observe the city and the people.
Agnès Bun’s collection of vignettes echoes Theodor Adorno’s famous comment that “There can be no poetry after Auschwitz.” All debates surrounding the quote aside, how does one manage to express anything at all when faced with the extremes of human suffering? I guess one way would be poetic language, because it oozes out of the pages of this short but powerful book.
Poet and dancer, Tishani Doshi’s latest book, Small Days and Nights, released April 2019, narrates the story of Grace (half-Italian, half-Indian), who moves from the US to India, owing to the passing away of her mother. Her life unravels when a house is bequeathed to her, in a village by the sea, and she meets Lucia, a sister, she never knew she had. While Doshi’s last book, Girls are Coming Out Of The Woods, was a poetry collection that evoked feelings of resilience, fear, pain and wonder, her latest novel takes the reader deeper into the realms of familial relationships, loss, endearment and rebirth of emotions that get buried through time and distance.