Development came to Macau relatively late and the city is therefore reasonably well-preserved by East Asian standards. But much, inevitably, has nevertheless been lost, as any perusal of old photographs immediately indicates. Photojournalist Gonçalo Lobo Pinheiro spent a year collecting old photos and then tried to match them to present-day Macau. The result is an intriguing photo-album.

Imagine sitting in front of a large picture window and looking out. What you see before you isn’t your usual view, though, because you have been transported back to Japan at the turn of the 20th century by means of a massive book containing nearly seven hundred views of Japan in the last decade or so of the Meiji era (1867-1912). That it weighs some fourteen pounds (I viewed it on my newly-bought book-stand) ceases to matter as the photographs simply take over; the huge format becomes altogether appropriate, and readers will be mesmerized by its cinematographic proportions, vivid colors and sheer presence.

It is widely accepted that Japan is a country deeply in touch with the natural world. From wall hangings of cranes and turtles, to carp banners flapping in the breeze, haiku about a frog in an old pond, and folk tales about foxes and badgers, Japanese arts and culture are suffused with images of nature. Moreover, in the present day, tourism is sold using images of cherry blossoms, autumn colors, and monkeys bathing in hot springs.

Dutch photographer Marcel Heijnen lived in Hong Kong in the 1990s and left for Singapore around the Handover. When he returned in 2015, he was happy to see that some parts of the territory hadn’t changed much. Sai Ying Pun (“Western”), the area where he moved, still enjoyed small mom and pop shops, many of which housed a resident cat or two. Heijnen captured dozens of cats in the vibrant photos that make up Shop Cats of Hong Kong. A second book, Shop Cats of China, is the result of travels to ten cities in the Mainland.