Nora Watts is on the run from the very man she’s trying to hunt down. With an ethnic Chinese-Vietnamese villain as protagonist and partially set on the Indonesian island of Lombok, Sheena Kamal’s third book in her Nora Watts thriller series, No Going Back, tells the story of a half-Palestinian/half-indigenous Canadian trying to save her teenage daughter from the man who is after both women.
Back in the day, whenever one was in a waiting room or vestibule, one would likely come across a copy of “Reader’s Digest”, which would include a diverse selection of pieces, often abridged, often extracts from elsewhere: easy reading, something to interest anyone and everyone, thought-provoking but not enough to require too much mental exertion.
The story begins in Jakarta, a hubbub of street vendors, motorbikes, and calls to prayer from mosque loudspeakers. “Travelling is the most ancient desire”, writes Intan Paramaditha in her first novel, a choose-your-own-adventure story published this February as global mobility ground to a halt. The wandering narrator, addressed in the second person befitting the conventions of the form, travels along multiple routes to Berlin, New York, and even outer space as she faces ordeals that illustrate the privileges of going abroad and the limitations of individual choice.
The amount of ink spilled on the 12th-century temple complex Angkor Wat might not fill Tonlé Sap Lake, but it sometimes feels like it might. This Khmer Empire monument dedicated to Vishnu is a UNESCO world cultural site, a global must-see on tourists’ bucket lists—and is the only archaeological monument featured on a national flag. Yet Michael Falser still finds a lot to say.
Andrea Tang seems to have it all. She’s a rising mergers and acquisitions attorney on Singapore’s 40 under 40 list. UK-educated Andrea’s goal is, via grueling hours at her Singapore law firm, to make partner at the age of thirty-three. But her family has other plans for her, which propels her to invent a boyfriend at her aunt’s Chinese New Year party. So begins Lauren Ho’s debut novel, Last Tang Standing.
In 1865, the eminent American journalist and abolitionist Frederick Douglass delivered a lecture called “Pictures and Progress”, in which he discussed the role of photography in exposing the evils of racism and slavery. Referring to Louis Daguerre, he pointed out that “men of all conditions and classes can now see themselves as others see them, and as they will be seen by those who come after them,” and that “man is the only picture-making animal in the world. He alone of all the inhabitants of earth has the capacity and passion for pictures.”
Souvankham Thammavongsa has come a long way from Nong Khai refugee camp in Thailand in which she was born in 1978. Her family, originally from Laos, were able to settle in Canada when she was a year old.