Choi Eunyong’s best-selling Shoko’s Smile has earned her comparisons to novelists such as Sally Rooney and Marilynne Robinson for the collection’s carefully crafted portraits of women’s relationships and intimacies formed and dissolved over time.
Prepare to be annoyed, Mona Dash warns the reader on the first page of her debut collection of stories. Those expecting to find tales of saris and jasmine will be disappointed, she says. Instead, the reader should prepare for stories which have not been told before: the voices traditionally marginalized by those belonging to the powerful and the erudite.
When grieving is over, when no one pauses to remember, things will be forgotten forever.
In many ways, Taiwan presents a compelling example of how autocratic regimes impose their will on a population, often as colonial overlords. A peaceful island peopled by Austronesians and ethnic Chinese, rich in agricultural output, has been a geopolitical pawn in recent history, first by the Japanese and then the defeated regime of Chiang Kai-shek in China. Parallels throughout the world are not difficult to find.
In his debut short story collection, Jonan Pilet explores the lives of Mongols and expats, looking for a sense of home within the nomadic culture. Based on the author’s insights having grown up in Mongolia, the series of interlinked narratives capture the cultural turmoil Mongolia experienced after the fall of the Soviet Union, painting a vivid picture of Mongol landscapes, Western interactions, and the rise of cultural tensions.
Taiwan’s contemporary commitment to transitional justice and democracy hinges on this history of violence, for which this volume provides a literary treatment as essential as it is varied. This is among the first collections of stories to comprehensively address the social, political, and economic aspects of the White Terror and to do so with deep attention to its transnational character.
Since the lifting of martial law in 1987, queer authors have redefined Taiwan’s cultural scene, and throughout the 1990s many of their works have won the most prestigious literary awards and accolades. This anthology provides a deeper understanding of queer literary history in Taiwan. It includes a selection of short stories, previously untranslated, written by Taiwanese authors dating from 1975 to 2020.