On the first page of Return to Sri Lanka, Razeen Sally endearingly describes himself as a wonk, ie a technocrat. A political economist and policy advisor on international trade, his writing normally appears in academic journals; this is his first attempt to write something more personal. He was born and grew up in Sri Lanka, but as an adult he lost touch with the country. This book is a personal rediscovery and an exhaustive look at the history and culture of the island.
Sri Lanka
Agnès Bun’s collection of vignettes echoes Theodor Adorno’s famous comment that “There can be no poetry after Auschwitz.” All debates surrounding the quote aside, how does one manage to express anything at all when faced with the extremes of human suffering? I guess one way would be poetic language, because it oozes out of the pages of this short but powerful book.
An imagined love affair between two great architects of the 20th century is the foundation of this lyrical novel by Shiromi Pinto.
![There's No Poetry in a Typhoon: Vignettes from Journalism's Front Lines. by Agnès Bun, Melanie Ho (trans), Abbreviated Press (November 2018)](https://i1.wp.com/asianreviewofbooks.com/content/wp-content/uploads/2018/11/cover1-e1541395299732-182x300.jpg?resize=182%2C300)
“I saw my first dead body on November 9, 2013. He was five. He was lying in the rubble of a demolished church that had entombed eight of its faithful in Tacloban City, the ville-martyr of this impoverished region in the Philippines where a violent typhoon had hit only a day before.”