It’s a cliche to call North Korea the most isolated country in the world. Those of us living outside the country often have very little idea of what life there is like, often only seeing what its government would like us to see: military parades, missile launches, and joyous crowds.
Putting 5,000 years of history on display is a challenge that Epic Iran’s organizers confronted head on. Juxtaposing a clay cylinder seal from the 2nd millennium and an abstract painting from the 21st century might leave visitors struggling to see the connection. Nevertheless, the strong thread that winds through this show is the excellence of craftsmanship, Persian honar, that appears in display after display. Iran’s tradition of craft, of masters and apprentices, of admiring past achievements in art, explains the surprising moments of recognition as one moves from one era to another in this chronologically-organized show.
It’s a summer night in 2006 on Gerrard Street, the main artery of London’s Chinatown. A lone gunman walks into a drinking den, JoJoBar, and shoots one of the customers as he embraces a female companion. The gunman escapes and none of the witnesses will speak to the police. The inexplicable murder of Donald Quek, a cocky young tourist from Malaysia, is set to remain unsolved unless his former girlfriend, Molly, can crack the case.
“The Three Women of Chuck’s Donuts” was published in The New Yorker in early 2020, generating great interest for Anthony Veasna So’s forthcoming collection of stories, Afterparties. But months before his book came out, So died suddenly from an overdose. “The Three Women of Chuck’s Donuts” kicks off this collection and tries to answer a question that runs throughout the book, namely “what does it mean to be Khmer, anyway?”
Perhaps it was being forced to skip a year that prompted Opera Hong Kong to step outside the normal commercial comfort zone and program Vincenzo Bellini’s I Capuleti e i Montecchi for this year’s summer semi-staged production at City Hall. Whatever the genesis of the decision, it was a fortuitous choice.
Born in 1976 in Hengdian village, Hubei Province, Yu Xiuhua is a poet from an impoverished rural background who was born with cerebral palsy. She began writing poetry in 1998. Her poetry collection Moonlight Rests on My Left Palm sold over 300,000 copies in China. Yu received the Peasant Literature Award in 2016 and the Hubei Literary Prize in 2018.
“Dwelling in the World: Family, House, and Home in Tianjin, China, 1860-1960” by Elizabeth LaCouture
Tianjin has always seemed to play second fiddle to the more prominent Beijing. By the same token, during the late-Qing and Republican periods, Shanghai has been held up as China’s most cosmopolitan city, attracting people from around the world. Elizabeth LaCouture, in her new book, Dwelling in the World: Family, House, and Home in Tianjin, China, 1860-1960, shows that Tianjin became more prosperous than Beijing after the Nationalist government left the north for Nanjing and that it was more of an international city than Shanghai.
From Peking to Paris tells the story of Ellen Thorbecke (née Kolban, 1902-1973), a free-spirited woman who holds a singular position in international photography. Her work has been largely forgotten, but is currently making a revival, because—among other reasons—her photographs provide a unique portrait of China ruled by Chiang Kai-shek’s nationalist government. Over several years in the 1930s, Thorbecke made six photo books (of which five have been published) covering China. From Peking to Paris compiles these into a single volume, which also includes Thorbecke’s photography of France, the Netherlands and the newly-established state of Israel.
When we think about modern trade, we tend to think about the sea: port cities and large ships carrying goods back and forth. It’s a story that tends to put Europe at the center, as the pinnacle of shipping and maritime technology. Jagjeet Lally’s India and the Silk Roads: The History of a Trading World corrects this narrative.
It’s big, it’s heavy, and it’s beautiful. Dora Ching, the Associate Director of the Tang Center for Asian Art at Princeton University, has created a book that will surely become the volume to have if you are interested in Buddhist art from China or the history of photography. This book presents the art found in the Dunhuang (Mogai) Caves (now often called the Thousand Buddha Grottoes) of western China, which boast more than 500 cave temples, every one of them decorated with sculpture, various images of the Buddha, a great number of murals and smaller-scale paintings, and some with caches of invaluable illustrated manuscripts.
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